Songs that make you sound good at karaoke
Since the 2020s, the vocal skills demanded in Japan’s music scene have advanced dramatically, and most hit songs have become quite challenging.
Many people may feel that even if they want to sound good at karaoke, it’s hard to find the right songs.
So this time, we’ve picked out songs that make you sound great at karaoke!
Focusing mainly on Japanese music, we’ve selected a wide range from timeless classics to the latest hits.
Because these are songs that tend to “sound good,” we’ve centered our picks on tracks that are easy to sing—perfect even if you’re not confident in your vocal ability.
Songs that make you sound good at karaoke (1–10)
Bunny GirlAKASAKI
As one of the songs that went viral in 2024, many people will surely remember “Bunny Girl.” The talent of AKASAKI, who created this track at the young age of a high school student, is truly remarkable, and I’m sure there are people practicing it to add this masterpiece by a young artist to their karaoke repertoire.
The use of 7th chords that pops up throughout is stylish, and while it may sound understated at first, the melody line is actually very catchy and easy to remember, with no extreme high notes—so even those who struggle with high pitches should find it easy to sing.
Try approaching it at karaoke with a slightly cool, playfully suave vibe, and you’ll do great!
LemonKenshi Yonezu
Kenshi Yonezu’s smash hit “Lemon.” If you’re in your teens to thirties, chances are you’ve heard it.
It’s a song that tends to sound especially good at karaoke.
The reason, above all, is the wide range of vocal expression.
The opening is set in the mid-to-low to low range, giving a slightly cool impression.
When the chorus hits, the voltage spikes and you catch a glimpse of intensity.
On top of that, a falsetto appears midway through the chorus, so the song lets you showcase a variety of vocal expressions in just one track.
Great personNEW!Vaundy
This is an inspiration song for the NHK Taiga drama “Reach Beyond the Blue Sky.” It’s interesting that the piece was created, inspired by the life of Eiichi Shibusawa, who is depicted on the 10,000-yen bill.
“Iseijin” is a song with a lively tempo, and the vocal range is set in a key that’s comfortable for male singers.
There are some passages where the pitch moves subtly at the ends of phrases, but I think it’s best to sing straight through at first without worrying too much about that.
Rather than forcing your pitch to match, focus on proper vocal production using your vocal cords; that will make it easier to sing in tune.
Try lifting your eyebrows and consciously projecting your voice clearly!
Deceptive Lovetuki.
With the smash hit Ban-san-ka (“Banquet Song”) breaking various records, tuki.
, who cemented her status as a popular singer-songwriter at the young age of 15, has become one of those contemporary artists who keep their real face out of the public eye.
That very choice makes you feel the power of her work—her music and voice alone are more than enough to stand out.
Released in April 2025, her song Damashi Ai (“Deceptive Love”) drew attention as her first-ever TV drama theme.
Its progression from a subdued A-melody into a hook that lingers in your ears is classic J-pop.
While the vocal range is relatively wide, the melody line isn’t complicated, so listeners in their 30s and 40s should find it familiar and easy to sing.
Try singing it with crisp articulation while keeping a buoyant, syncopated rhythm in mind!
Eeny, meeny, miny, moeYurina Hirate
Since leaving Keyakizaka46, Yurina Hirate has been forging her own path as a solo artist, active in music and acting, with every move she makes drawing attention.
Released in March 2025, “Eeny Meeny Miny Moe” puts tech-house elements front and center, blending coolness and pop sensibility to superb effect, and the striking visual image Hirate presents in the music video also drew a lot of buzz.
Melodically, it isn’t particularly difficult and sits in a range that men can sing as well, but with this kind of track, simply singing it can feel too flat.
It’s best to immerse yourself in the song’s world and perform with the mindset of becoming Hirate herself.
kaiju (giant monster)Sakanaction
Kaijū, which drew attention as the opening theme for Chi: About the Movement of the Earth and was released in February 2025 as Sakanaction’s first new song in about three years, topped the Oricon chart and already feels like it has cemented its place as one of 2025’s defining tracks.
While it has a straightforward, classic J-pop structure, the clever arrangement gives it a dramatic and even complex feel, showcasing advanced technique.
That said, the melody line itself isn’t particularly difficult, and there aren’t any extreme high notes, so it seems relatively easy to sing.
If you pay attention to the contrast between the rhythmic sections and the more sustained, expansive parts, you can highlight your “singing skill” even more!
Hikari TowaNEW!ORANGE RANGE
This song was released in October 2025 and was created as the theme song for the film “Strawberry Moon: A Love with Six Months to Live.” ORANGE RANGE, who were hugely popular in the Heisei era, are back with a tearjerking Range for the Reiwa era! “Towano Hikari” is an emotional ballad following in the footsteps of “Hana” and “Love Parade.” The overall vocal range isn’t too high, making it easy to sing with feeling, so I highly recommend it.
Also, since ORANGE RANGE has three vocalists with divided parts, splitting the parts among singers is guaranteed to be fun! Speaking of Range’s ballads, I always love RYO’s part that comes in at the very end.
I’d love to hear that section sung with a cool, rich voice! Be careful not to strain your throat—lift your facial muscles and use plenty of breath.