Songs with titles that start with “Ha.” Lots that evoke the seasons!
Have you heard of karaoke shiritori, where you link the last letter of each song title to the next, or the version where you play using only song titles? The key is how many song titles you can remember and how many different songs you can sing, and it gets really exciting when music lovers play together.
Still, there are times when you just can’t come up with a song title… So in this article, I’ll introduce songs that start with “Ha” to help you out when you get stuck on that syllable! There are lots of seasonally themed songs like “Haru” (spring), “Hanabi” (fireworks), and “Hana” (flower), so please take a look.
- Compilation of Vocaloid songs with titles starting with “Ha”
- Songs with titles that start with “ba.” Useful hints for karaoke or shiritori!
- Songs whose titles start with “He.” Useful for shiritori or karaoke.
- Songs with titles that start with “Sa”: a roundup you can use for shiritori or karaoke
- A compilation of Vocaloid songs with titles starting with “He”
- Karaoke songs popular with women that they want men to sing
- Songs with titles that start with “Hi.” The vast world of “Hi.”
- Summary of Vocaloid songs with titles starting with 'Hi' (ひ)
- [Stars, Fireflies, etc.] A collection of songs whose titles start with “Ho” (ほ)
- Karaoke songs to sing in April: classic and popular spring hits
- A compilation of Vocaloid songs with titles starting with 'Ho'
- Karaoke songs I want to sing in March: classic and popular spring tunes
- [Karaoke Songs for May] A list of classic tracks that capture the lingering spirit of spring and the arrival of early summer
Songs with titles starting with 'Ha'. Plenty that feel like the seasons! (71–80)
88888888PiKi
PiKi is a duo consisting of Karen Matsumoto from FRUITS ZIPPER and Haruka Sakuraba from CUTIE STREET.
Released in 2025, this work was created as a collaboration song for the film “Exit 8.” The lyrics count numbers from zero and aim to break free from an endless loop, drawing listeners into a thrilling world.
The combination of hard-edged techno sounds and the pair’s translucent vocals is exquisite.
Be sure to check out this cool, stylish electro tune.
HELLOYUI
This is a pop number by singer-songwriter YUI that captures the thrill of the moment when love begins.
The piece features striking pizzicato plucks, evoking a fresh early-summer breeze where innocence and bubbling joy coexist.
The lyrics, which depict a passionate and slightly dangerous game of love that makes you want to touch a perilous dream, seize listeners’ hearts and don’t let go.
Released as a single in June 2011, it was written as the theme song for the film Paradise Kiss, based on Ai Yazawa’s original work, and is also included on the classic album HOW CRAZY YOUR LOVE.
It might just give you a boost when you’re ready to take a new step or in the mood to dress up and head out.
bouquetback number
This is a gem of a love song where unpretentious conversations between lovers convey a clumsy yet profound affection.
It portrays a vague anxiety about the future alongside a straightforward desire to stay together, and listening to it warms the heart.
Released in June 2011 as back number’s second single, the track is also included on the acclaimed album “SUPER STAR.” Many will recognize it as the ending theme for TBS’s COUNT DOWN TV.
The fact that it received over 50 power plays on radio stations nationwide at the time speaks to how much attention it garnered.
This work, which makes you feel the preciousness of everyday life with someone important, continues to be cherished as a classic wedding song.
Song titles that start with “Ha.” Lots that feel like the seasons! (81–90)
Yes, with pleasure.Kent on this side
Elementary school students often use devices with various restrictions, but isn’t it likely that most of them still use TikTok regularly? With that in mind, I recommend “Hai Yorokonde.” The chorus features an octave-up harmony, so the overall vocal range is fairly wide, but if you sing an octave lower, even elementary schoolers—whose voices can be unstable—should be able to handle it.
The flow is a bit complex, but its recognition and popularity are top-notch, so definitely consider adding it to your repertoire.
A noonday blaze searing us apartHello, Mr./Ms. Tanida
An alternative Vocaloid track whose ingenious sound image somehow stirs up a sense of nostalgia.
It’s a song released under Tatsuya Kitani’s Vocaloid producer alias, Konnichiwa Tanita-san, published in August 2025 and included on the compilation album “Eingebrannt.” Its appeal lies in literary lyrics that trace memories of summers that have receded into the distant past, paired with a sound that blends weightless drift and cool poise.
The cruelty of passing time—and, because of it, the precious radiance of each fleeting moment—soaks deeply into the heart.
Give it a listen when you’re in the mood to indulge in a touch of sentimentality.
Hungry GhostBamboo Shoot Boy
An electroswing-style Vocalo-rock track.
It’s a piece by Vocaloid producer Takenoko Shonen, released in August 2025 and submitted to BokaColle 2025 Summer.
Twin vocals by Kagamine Rin and Len convey an unfulfilled heart and ravenous impulses.
On the sound side, the drop—born from the producer’s DJ experience—is insanely addictive! Cute, slightly horror-esque, and highly addictive—be sure to add this track to your playlist!
The Pigeon and the BoyJoe Hisaishi
This is the piece that Pazu plays as a morning call on the bugle in Castle in the Sky.
In the film, Pazu plays it alone, but here it’s arranged for a brass ensemble.
It begins with a trumpet solo, then horn, trombone, tuba, and others join to form a fanfare for brass ensemble.
Midway through, the ending theme from Castle in the Sky, “Carrying You,” is woven in, allowing listeners to enjoy a sense of musical storytelling.
Pazu’s trumpet, performed first thing in the morning, has been a hot topic among brass players—professional-level playing that would catch a scout’s ear.
Even pros need to warm up, and many say they envy the ability to hit high notes from early in the day.
Pazu’s performance was played by studio musician Susumu Kazuhara, who is active in film scores, jazz, and karaoke backing tracks, and it is a superb performance.