Summary of Popular and Classic Songs That Colored the Vocaloid Scene of the Heisei Era
Since the arrival of Hatsune Miku in 2007, countless masterpieces have emerged in the Vocaloid scene.
From love songs and anthems of encouragement to darker tracks, and spanning every genre—pop, rock, dance music, hip-hop, and more—Vocaloid music covers it all.
In this article, we’ll introduce a selection of songs born in the Heisei era that helped establish the popularity of the Vocaloid scene.
Even now, long after their release, these beloved works continue to be cherished—be sure to give them a listen!
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A roundup of popular and classic songs that colored the Vocaloid scene of the Heisei era (31–40)
Heavenly MusicYuuyu
Wagakki Band’s cover version is cool too, isn’t it? It’s a hard rock number by the Vocaloid producer Yuuyu, also known as the creator of “Deep Sea Girl,” released in August 2009.
The fiercely distorted guitar sound, the surging bass, and the powerful drum work are all compelling.
Rin Kagamine’s vocals layered on top have a touch of sensuality, and as you listen, you get drawn into the world of the song.
The explosive power of the chorus is top-notch! It might not be an exaggeration to call it one of the pinnacles of Vocaloid rock.
Love me, love me, love meKikuo
Despite its innocent singing voice and an amusement-park-like tune, it’s downright deranged.
This song by Kikuo, a globally popular Vocaloid producer whose artistic style grips listeners and doesn’t let go, was released in 2013.
In recent years it was also included in the mobile game “Project Sekai,” drawing renewed attention.
It’s a song that screams of love, yet the sound and vocal work convey a distorted emotion.
You can’t help but start theorizing: “What happened to the protagonist of this song to end up like this?”
Heartbreak SummitDECO*27
The lyrics’ message questioning one’s way of being really makes you think.
It’s a track by the popular Vocaloid producer DECO*27, known for numerous hits like “Vampire” and “Salamander,” released in 2009.
A mid-tempo mixture rock song, its wistful vocals and melodic lines linger in your ears.
The catchiness makes it very easy to listen to, and that’s precisely why each word seems to pierce the heart.
The self that lives within yourself… have you ever felt it?
Dawn glow, your song.Hoehoe P
Hoehoe-P, a Vocaloid producer known for signature songs like “Hello/How Are You,” created “Asayake, Kimi no Uta” in 2009—a rock number that gained popularity in the early Vocaloid scene.
It portrays moments when feelings overflow for someone special, singing of a bittersweet longing that warms the heart.
The passionate band performance driven by a four-on-the-floor beat conveys raw emotion, and together with lyrics that evoke vivid scenes, Hatsune Miku’s vocals gently resonate as a moving Vocaloid track.
No abnormalities in the cherry blossom frontWataru P
It’s a fast-paced, high-energy Japanese-style Vocaloid track.
Created by the Vocaloid producer Wataru-P, it was released in 2010.
First off, the dynamic, sharply contrasted arrangement is seriously cool! The rock-flavored sound pairs perfectly with Miku’s powerful vocals.
The lyrics’ message—“It’s okay to go little by little; let your own unique flower bloom”—lands with real impact.
It’s an incredibly energetic piece that gives you the strength to move forward toward the future.
A roundup of popular and classic songs that colored the Vocaloid scene of the Heisei era (41–50)
Cantarellakuro usagi P
Songs with a gothic worldview have always been popular in the Vocaloid scene, from the old days to the present, haven’t they? Created by Kurousa-P—who also produced the iconic hit Senbonzakura that’s practically synonymous with Vocaloid—this track was released in February 2008.
It originally belonged to WhiteFlame, the doujin circle Kurousa-P was part of, and what we’re introducing here is, in other words, a self-cover arrangement using Vocaloid.
It’s a highly narrative piece where the dramatic sound and mature vocal work are a perfect match.
KAITO’s sultry singing voice is truly wonderful!
Patchwork StaccatoToa
The work that expanded the popularity of the Vocaloid producer Toa was their 14th piece, Tsugihagi Staccato, released in 2014, which was one of the tracks distributed as part of the 7th anniversary project for Hatsune Miku.
It surpassed 100,000 views on Niconico and entered the Hall of Fame, and in 2016 it achieved a million views.
The “staccato” in the title refers to playing notes in a short, detached manner, which creates a distinctive sound throughout the song.
The lyrics, which sing of an unrequited love that bears no fruit, evoke a heartrending feeling as you listen.
It’s a perfect number to play on a lonely night.