Songs with titles that start with “Hi.” The vast world of “Hi.”
From common words like “Hikari” (Light) and “Hero” to rarer ones like “Higurashi” and “Hiiro” (Scarlet), there are many titles that start with the “hi” sound.
What words come to mind?
In this article, we introduce popular songs and easy-to-use titles that begin with “hi.”
Our research turned up a wealth of songs—from long-beloved classics to fan-supported masterpieces.
The more we dig, the more we find…!
Feel free to use this not only when you’re wondering, “What songs start with ‘hi’?” but also as a prompt for shiritori or when choosing tracks for karaoke.
- Summary of Vocaloid songs with titles starting with 'Hi' (ひ)
- Songs with titles that start with “Pi.” Useful for word-chain games or karaoke hints!
- Songs whose titles start with “He.” Useful for shiritori or karaoke.
- A compilation of Vocaloid songs with titles starting with “He”
- Songs with titles that start with “Ha.” Lots that evoke the seasons!
- Compilation of Vocaloid songs with titles starting with “Ha”
- [Stars, Fireflies, etc.] A collection of songs whose titles start with “Ho” (ほ)
- Songs with titles that start with a number. Useful for karaoke or playlist selection.
- A compilation of Vocaloid songs with titles starting with 'Ho'
- Songs with titles that start with “Su.” A collection of tracks useful for shiritori.
- Songs with titles starting with “To.” A selection from popular tracks across generations!
- A roundup of songs with titles that start with “N” [There are actually more than you’d expect!!]
- Songs with titles starting with 'bi' (such as Believe and Beautiful)
Songs with titles starting with “Hi” (Japanese syllable ‘hi’). The vast world of “hi” (91–100)
sunflowerTsuyoshi Nagabuchi
A song filled with warmth like sunlight, woven from a powerful singing voice and acoustic guitar.
With themes of hope and renewal, it superbly expresses human strength and kindness, showcasing Tsuyoshi Nagabuchi’s musical maturity.
Released on July 2, 1997, this work was used as the theme song for the TBS drama “Bodyguard” and became his 28th single.
Seamlessly blending folk rock and acoustic rock, the track embodies the essence of Nagabuchi’s musicality.
It is truly a sun-like song that stands beside those who are troubled at heart and those who are about to take a new step forward.
A Single PetalSTEREOPONY
Formed in 2007 in Okinawa Prefecture, the three-piece girls’ rock band STEREOPONY made their major debut in 2008 after winning the Grand Prix at the Young People’s Music Festival.
The members—AIMI, NOHANA, and SHIHO—drew attention for their pop-rock sound, blending catchy melodies with powerful performances.
They produced numerous anime theme songs, with the opening themes for Mobile Suit Gundam 00 and Darker than Black garnering especially strong responses.
In 2009, they performed at SXSW in the United States, gaining international recognition.
With their energetic performances and melodious tracks, they have captivated not only rock fans but a wide range of music listeners.
Songs with titles starting with “Hi” (ひ). The vast world of “Hi” (101–110)
In Love with the Skylark…Yoshimi Tendo
Released as the B-side to the classic “Jindo Monogatari,” “Hibari… ni Koishite” is often cited as one of Yoshimi Tendo’s hidden gems.
Since this song sits between enka and kayōkyoku, it doesn’t feature the ornate kobushi ornamentations that require complex pitch bends.
The tempo is moderate, so you won’t have to worry about running out of breath or struggling to keep up with pitch changes.
The chorus may feel a bit high, but because the vocal line is fairly simple, you should be able to sing it without trouble as long as you choose an appropriate key.
HE IS MINECreepHyp
A bittersweet song that uses count-song-like lyrics and a striking melody to depict the progression and shifts of a romance.
It vividly portrays the protagonist’s wish to deepen their bond through physical intimacy and the emotional sway caused by a gap in feelings with their partner.
Released in September 2010 and included on the album “From the Landing, With Love,” this track distills the allure of CreepHyp’s indie era, combining a medium-tempo sense of drive with Sekai Kan Ozaki’s lustrous vocals that resonate deeply.
Known as a live favorite that fosters a strong sense of unity with the audience, performing this song at a school or cultural festival is sure to draw plenty of attention.
Open! TulipKanpei Hazama
A signature satirical comedy song symbolizing pachinko culture, this is Kanpei Hazama’s hallmark work released in August 1975.
Vividly depicting Showa-era entertainment—like the Warship March playing in pachinko parlors of the time, hand-cranked machines, and the smoky, permissive atmosphere inside—the song reached a peak of No.
25 on the Oricon charts and became a massive hit with over one million copies sold.
In December of the same year, it was also chosen as the theme song for the Nikkatsu film “Wet Lust: Open, Tulip,” enriching the world of director Tatsumi Kumashiro’s work.
Its bright, sprightly melody and Hazama’s distinctive vocals create a humor that’s sure to liven up parties and family gatherings alike.
Lonely-for-Company TavernHiroshi Miki
An enka song that richly portrays the feelings of a woman carrying a heartrending love was released in June 2009 as Hiroshi Miyama’s debut work.
With delicate wording, it weaves in the loneliness of a woman drinking alone at a bar, the sorrow of heartbreak, and her unwavering feelings for her lover.
His warm voice gently resonates with listeners and has the power to evoke deep empathy.
About one year and three months after its release, the song sold 100,000 copies and was certified Gold by the Recording Industry Association of Japan.
It’s a recommended track for those who want to hum along to a song full of memories or leisurely enjoy heartwarming enka.
PhoenixNamito Harada
It’s a mature love song that beautifully fuses the vibe of 1980s Japanese pop with a modern sensibility.
Released in March 2025, the track captures the poignant, ever-reviving nature of love—like a phoenix—through Namito Harada’s gentle, warm vocals.
Its romantic melody is also a key element that shapes the song’s world.
Listeners familiar with Showa-era pop will surely be swept up in a wave of nostalgia.