![Songs with titles starting with “Ki” [Great for karaoke & shiritori!]](https://i.ytimg.com/vi_webp/FBTuM8S4ZzE/maxresdefault.webp)
Songs with titles starting with “Ki” [Great for karaoke & shiritori!]
Songs with titles starting with “ki,” featuring many frequently appearing words like “kimi” (you) and “kibou” (hope).
Hit songs pop up regularly, and their impactful phrases and fresh, distinctive worlds leave a strong impression.
I can’t think of many off the top of my head, so I want to look them up a bit…! We’ve gathered a list of songs with titles that start with “ki” that might come in handy at such times.
Please use it not only when you’re curious about what songs begin with “ki,” but also as inspiration for word-chain games or choosing tracks at karaoke.
Songs with titles starting with “Ki” [Great for Karaoke & Shiritori!] (1–10)
Whimsical RomanticNEW!Ikimonogakari
A must-have song when you want to hype things up.
“Kimagure Romantic” by Ikimonogakari was the theme song for the 2008 Fuji TV drama “Celeb to Binbo Taro.” The music video starts with a cute Famicom-style intro—so adorable! It’s uptempo, so getting into the groove matters, but I think the people you’re singing karaoke with will join in too! If you’re not confident in your singing, a song with this kind of tempo and energy will probably be easier to handle.
The notes can feel a bit high in chest voice, so it’s important to project boldly without hesitation, as if you’re sending your voice far away.
Don’t try too hard—if you relax and have fun, your pitch will start to fall into place!
You, him, me, and herNEW!Breathe
An R&B ballad in which BREATHE delicately sings about those wavering feelings of “I thought we were just friends, but I fell for you.” Set within a love square where both parties already have partners, it portrays the conflict between newfound feelings and moral hesitation through scenes like late-summer rain and sharing a single umbrella.
Released in May 2014 as the B-side to the single “Tomorrows,” it was also used as an ending theme for the TV Tokyo anime FAIRY TAIL.
The lyrics were written by Kiyoshi Matsuo, and the harmonies of Satoshi Miyata and Kazuya Tada bring the nuances of emotion to life.
It’s a song that will resonate with anyone torn between friendship and romance or carrying feelings they can’t put into words.
KISSNEW!IMP.
Released as a digital single in November 2025, this track was produced as the lead song for the second album, “MAGenter.” It’s a mysterious love song where secrets and true feelings intertwine, featuring a modern, low-end-heavy sound and a dark mood.
The lyrics portray an irreversible surge of emotion, weaving danger and sensuality together with exquisite balance.
A stylish number that symbolizes a new phase for the group.
CANDYNEW!Mr.Children
Mr.
Children’s classic song “CANDY,” included on the acclaimed 2005 album “I♡U.” This piece is characterized by a fairly wide vocal range of mid1 C# to hi B, with the highest chest note at hi A.
Although that note doesn’t appear often, it comes up once in each pre-modulation chorus, so before singing, be sure to focus on diaphragmatic breathing and conscious breath control.
If you’re confident in your upper range, it might be interesting to challenge yourself by singing the post-modulation hi B not in falsetto but with a mixed voice.
Even if you wait for a miracleNEW!Saucy Dog
Saucy Dog is a rock band that enjoys overwhelming support from young people.
Their defining feature, above all, is vocalist Shinya Ishihara’s high-tone voice.
Their famous song “Kiseki wo Mattetatte” is characterized by a dramatic melody themed around heartbreak.
The chorus reaches very high notes, featuring repeated use of mixed voice and falsetto.
In particular, the mixed voice parts appear at the most intense moments, so a certain degree of vocal thickness and power is required.
pyramidNEW![Alexandros]
![Pyramid NEW! [Alexandros]](https://i.ytimg.com/vi/Nqhr58oUxNk/sddefault.jpg)
Released ahead of schedule in January 2025 as the theme song for the TV Asahi drama “Private Banker,” this track makes a striking impression from the outset with lyrics that rattle off numerals.
It portrays a tiny existence pressing forward through everyday life, offering a grand perspective in which individual endeavors are woven into the history of the collective.
The chorus explodes with a mid- to uptempo beat and near-shouted vocals that give a powerful push to anyone listening.
The music video—featuring a large-scale performance where a group dance of about 50 participants intersects with the band—also generated buzz.
It’s a song that delivers a bold cheer to anyone ready to cast off predictability and carve out their own path.
Q / tenNEW!queen bee
Queen Bee radiates a singular presence with their original worldview and visuals.
The title track of their 2017 album Q and the title track of their 2019 album Ten function as mirror images that reveal the band’s polar extremes.
The former is a song with bleak lyrics that evoke abuse, symbolizing the resolve to rise from it.
The latter is a magnificent, strings-centered ballad that depicts escaping an abusive home and, though worn down, striving to live—sad yet brimming with hope.
Performed back-to-back during their audience-free livestream in 2020, the two songs vividly highlighted contrasts—attack and defense, light and shadow.
While each stands independently as a single track, they are often performed as a pair live, and their lyrics are clearly connected; thus, I’ve chosen to present them here as a single work.