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[Karaoke] A Collection of Songs Whose Titles Start with 'Mo'

At karaoke, people sometimes set various rules, like singing songs by the same artist or choosing based on song titles.

One fun idea is to pick a letter from the Japanese syllabary and sing “songs that start with ___.”

In this article, we’ll introduce a selection of songs that start with “mo,” so feel free to use this as a reference for your next karaoke session.

Many of these tracks feature sentimental words like “moshi” (if) and “mou” (already/no longer), so it can be nice to think about the lyrics’ meaning or imagine the story as you sing.

Be sure to check out these “mo”-starting songs by artists who’ve been active from the Showa era through Heisei and into Reiwa.

[Karaoke] Compilation of songs with titles starting with “Mo” (21–30)

an empty shellTakumi Ryo

Takumi Ryo “An Empty Shell” MV [Official]
Takumi Ryō, an empty shell

This is a single by Ryo Takumi that portrays the aching emptiness of being left by a loved one.

Sung over a passionately Latin rhythm, it captures the raw, helpless emotions of the one abandoned.

Even while knowing the other person is at fault, lingering attachment that can’t be severed weaves through this adult love story, conveyed in a sweet, soaring voice.

On nights when you want to bask in memories of love, why not surrender yourself to this danceable sound and let passion melt away the heartache?

I don’t care what happens anymore.Hoshimachi Suisei

Whatever happens, I don't care anymore / Hoshimachi Suisei (official)
I don’t care what happens anymore, Hoshimachi Suisei.

“I Don’t Care What Happens Anymore,” a track by Suisei Hoshimachi, who continues her meteoric rise as a virtual idol, was released in April 2025.

It was specially written as the ending theme for the anime version of Mobile Suit Gundam GQuuuuuuX and as an insert song for the film version.

The exhilarating, fast-paced sound pairs perfectly with lyrics that tell a story of the struggle of not quite becoming an adult.

Contrary to its seemingly throwaway title, it’s sure to shake listeners to the core.

While it’s not easy to replicate Suisei Hoshimachi’s cool vocals, which combine clarity with power, the sense of exhilaration when you manage to sing such a challenging song is second to none! By all means, practice it and show it off in style at karaoke.

[Karaoke] Collection of songs with titles starting with 'Mo' (31–40)

Monkey Monkey / Control TowerBoys Boys

BOYS BOYS – MONKEY MONKEY/CONTROL TOWER (1980) [female punk japan]
Monkey Monkey / Control TowerBoys Boys

Boys Boys is truly a legendary presence that blazed the trail for Japanese women’s punk.

Formed around 1978, they vanished from the scene after releasing just one single, but their sound is straight-up, Ramones-style rock ’n’ roll! Hear Kummy’s unadorned vocals and the raw, piercing guitar, and many of you will surely be reminded of that primal urge—“I don’t want to be bound by anything!” The sight of the members writing and playing their own songs had a huge influence on the bands that followed.

As you listen to this razor-sharp sound, feel the heat of the very moment Japanese girls’ punk was born!

I don’t need any more talking.American Folk Music Research Society

I don’t need any more stories. / American Folk Song Study Group
I don’t need any more stories. American Folk Music Research Society

It’s a piece that draws you into a dreamlike world, as if dissolving into the night’s darkness.

This track was released in July 2025 by Haniwa of the American Folk Song Research Society.

Woven over a high-speed, floating soundscape are longings for two things: the night that never ends, and the morning to come.

The lyrics, unfolding through the exchanges between two characters, spark the imagination.

Dive deep into this music.

Pink sighMariko Takahashi

Mariko Takahashi’s classic “Momoiro Toiki.” It features a distinctly exotic melody and, while it carries elements of mood kayō (mood enka), it also incorporates contemporary J-pop characteristics.

The piece sits within a relatively narrow vocal range of mid1 G# to high C.

Since the most frequent pitch is around mid2 G#, most women should be able to sing it without difficulty.

As the song prioritizes mood, it’s recommended to sing with careful dynamics.

If a phrase ends with a consonant, letting it fade out as a voiceless sound can be an effective touch.

MockingbirdSeiko Matsuda

A song that imitates birds chirping, it conjures up scenes of a storybook girl before your eyes.

Seiko Matsuda’s crystal-clear “candy voice” blends beautifully with the whimsical world crafted by lyricist Takashi Matsumoto and composer Yoshitaka Minami.

Many listeners may find their hearts naturally soothed by this charming singing.

The piece was released as a single in November 1982.

Remarkably, she is said to have delivered this level of expressiveness even though the song was handed to her for the first time on the day of recording.

When you want to step away from busy days and immerse yourself in a tale, or when you seek a calm night, listening to it may gently warm your heart.

Come back—my timeMariya Takeuchi

Crafted by the star-studded duo of lyricist Kazumi Yasui and composer Kazuhiko Kato, this song marks Mariya Takeuchi’s memorable debut single.

Long beloved as the theme for an Isetan commercial, its urban, stylish sound feels like the dawn of city pop.

Delivered in Takeuchi’s youthful, translucent voice, the message of “Come back—this is my time” gently resonates with those of us who tend to push ourselves too hard.

When we’re busy living each day to the fullest, it’s easy to forget to make time for ourselves—but listening to this track might just lift your spirits and make you think, “That’s right, I’m going to reclaim my time.”