[50s] Karaoke Songs That Get the Crowd Going: 2025 Rankings
The key to choosing songs at karaoke is whether they can liven up the atmosphere, right?
This time, we’ll introduce some upbeat karaoke songs that have been popular among people in their 50s.
We hope you find this helpful!
Give them a try.
- [50s] Karaoke Popularity Rankings by Generation [2025]
- [2025] Uplifting songs recommended for people in their 50s: A collection of nostalgic classics
- [2025] Japanese Karaoke Songs That Men in Their 50s Get Excited About
- [In Their 50s] Ranking of Easy-to-Sing Karaoke Songs [2025]
- Recommended for women in their 50s! A curated selection of classic and popular karaoke hits that will get the crowd going
- [60s] Karaoke Crowd-Pleasers Ranking [2025]
- [40s] Karaoke Crowd-Pleasers Ranking [2025]
- [For People in Their 40s] Ranking of Easy-to-Sing Karaoke Songs [2025]
- Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
- [2025] Recommended Japanese songs for karaoke for men in their 50s
- Karaoke Popularity Rankings by Generation: 60s [2025]
- [For Women in Their 40s] A Collection of Songs That Score High at Karaoke [2025]
- [40s] Karaoke Popularity Rankings by Generation [2025]
[50s] Karaoke Crowd-Pleasers Ranking [2025] (71–80)
And then I'm at a lossYoshiyuki Osawa78rank/position

Released in 1984, this song is known as one of Yoshiyuki Ohsawa’s signature tracks.
Its poignant lyrics about a heartbreaking breakup and memorable melody captured the hearts of many, reaching a peak of No.
6 on the Oricon weekly chart.
It became a major hit with cumulative sales of 282,000 copies.
Originally a single cut from the album “CONFUSION,” it has continued to be loved for many years.
To commemorate Ohsawa’s 25th debut anniversary, it was re-recorded with a new arrangement, making it a timeless favorite.
It’s perfect for livening up a karaoke session or indulging in nostalgic memories.
Equator Girl, Heart-Pounding!Kumiko Yamashita79rank/position

Released in 1982, this song is striking for its bright, effervescent, distinctly ’80s techno sound and Kumiko Yamashita’s cute, husky voice.
Featured in a Kanebo cosmetics commercial, it became a major hit.
The coined term “Equator Girl” (Sekidō Komachi), which evokes a vibrant modern woman basking in the sun, is quintessential Takashi Matsumoto lyricism.
Composed by Haruomi Hosono, it’s a number by a golden duo now celebrated worldwide.
A pop tune that conveys the high quality and momentum of Japanese pop music of the era.
Oneway GenerationMinako Honda80rank/position

Minako Honda, who made a dazzling transformation from idol singer to musical theater star.
Since her debut in 1985, she shone on the idol scene while also taking on classical music and musicals, showcasing activities that transcended genres.
She successfully held her first concert at the Nippon Budokan and, in 1988, formed the female rock band MINAKO with WILD CATS.
In her debut year, she won the Japan Record Awards’ Best New Artist, earning high acclaim for her talent.
Chosen from 12,000 candidates to play Kim in the musical Miss Saigon, she captivated audiences with her outstanding vocal ability and expressive power.
As a songstress who combines a powerful voice with graceful poise, she is highly recommended for those seeking music of the highest quality.
[50s] Karaoke Crowd-Pleasers Ranking [2025] (81–90)
Teenage in GlassHikaru Genji81rank/position

When you think of Johnny’s on roller skates, it has to be Hikaru GENJI.
Many people were thrilled by their unprecedented style of dancing and singing while on roller skates.
This song is their second single, and the following year they released “Paradise Ginga,” which became an even bigger hit.
Listening to or singing this song is sure to bring back memories of those days and set your heart aflutter.
Isn’t it the perfect track to hype things up with friends?
MasqueradeShonentai82rank/position

When people in their 50s think of a Johnny’s idol group, many would instantly name Shonentai.
Dominating the scene in the 1980s, the three members now each thrive in TV dramas, films, and stage productions.
Their signature song, of course, is their debut track Kamen Butokai (Masked Ball), which topped the Oricon charts.
Composed by the Shōwa-era master Kyōhei Tsutsumi, its lyrics were written by Tetsuya Chiaki—an assignment realized at the request of Kazukiyo Nishikiori, a big fan of Eikichi Yazawa, for whom Chiaki penned many songs.
Frequently covered by their Johnny’s juniors, the song has reached younger generations and can rightly be called a classic of Shōwa-era pop.
It’s a staple hit at karaoke gatherings of people in their 50s, and performing it in front of younger colleagues might just get the crowd going!
TOKIOKenji Sawada83rank/position

Among the countless masterpieces by Kenji Sawada—better known as Julie—one song that stands out for its enduring popularity, boasting overwhelming play counts even in today’s subscription era, is TOKIO.
Written by Shigesato Itoi, composed by Kunihiko Kase, and arranged by Tsugutoshi Goto—an all-star team of hitmakers—TOKIO was released as a single in 1980.
Many people now in their 50s likely remember watching Sawada on TV as children, singing while wearing that red-and-white striped parachute on his back.
It may be hard to replicate Sawada’s uniquely sensual flair as he delivers this extraordinarily catchy killer tune, but if you shed your inhibitions and sing with the gusto of becoming Julie himself, you’ll practically be the star of the day!
A bouquet of flowers with loveSuperfly84rank/position

A ballad that could be called one of Superfly’s signature songs, expressing gratitude to a loved one through a bouquet of flowers.
Shiho Ochi’s soulful vocals resonate deeply and stir the listener’s heart.
Released in 2008, this track was also used as the theme song for the TBS drama “Edison no Haha,” capturing the hearts of many.
It’s perfect for those who want to honestly convey their appreciation to family or a partner but find it hard to put into words.
It also makes a great BGM choice for weddings or when presenting a gift to someone special.





