Ranking of Popular House and Techno Songs
The straight-ahead path of dance music: four-on-the-floor.
Known overseas as “four on the floor,” it’s considered the standard rhythm of the dance floor.
Among the most timeless forms of electronic music are house and techno.
Built primarily with synthesizers, sequencers, and samplers, these genres continue to evolve, changing shape with the times.
Since 2015, we’ve seen the rise of new scenes: comparatively mellow, modern-leaning EDM like future house; hard techno that hosts massive festivals around the world; and tech house, an extremely groovy style that bridges house and techno.
This time, we’ll introduce the most popular tracks on our site in a ranked format.
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Popular House/Techno Song Rankings (21–30)
Melodic TechnoFULLJOS29rank/position

Furuyosu is a DJ and producer from Granada.
Early in his career, he worked as a party organizer, hosting events that featured electro house, deep house, tech house, and electronic music from around the world.
As the title “Melodic Techno” suggests, the track is melodic with engaging development, making it easy to listen to even for those not familiar with electronic music.
If you’re new to techno music, be sure to check it out.
Good LoveHannah Laing feat. RoRo30rank/position

Counted among the tracks that will lead the house scene of the 2020s, “Good Love” is a release from Hannah Laing and RoRo on WUGD/Polydor, following their EP “Get Busy on Trick,” which hit No.
1 on Beatport.
The Scottish DJ Hannah’s skillful, polished production and Barbados-born RoRo’s energetic vocals fuse seamlessly.
Characterized by a fresh technopop flair, the track has drawn attention at home and abroad, receiving support from BBC Radio 1, 6 Music, and 1Xtra.
With RoRo’s captivating voice and Hannah Laing’s sound design in harmony, this track can be said to be opening a new frontier in house music.
Popular House/Techno Songs Ranking (31–40)
Giving MeJazzy31rank/position

Jazzy, an Irish DJ and singer-songwriter who sent new shockwaves through the house music scene, released her debut single “Giving Me.” Dropped in March 2023, the track became a massive hit on the UK charts and emerged as one of the defining songs of the UK music scene that year.
The lyrics center on themes of challenge and resurgence, featuring handclaps that evoke a vibrant club atmosphere, Jazzy’s vocals, and a looping, catchy melody.
With over 1.
2 million monthly listeners on Spotify and a Platinum certification on the UK charts, her momentum shows no signs of slowing.
This track, which captures the feel of a new wave of Irish house music, is a must-add to tonight’s club set.
Pump Up The VolumeM/A/R/R/S32rank/position

Released in 1987, this quintessential UK early house track by Colourbox and A.
R.
Kane exudes a cosmic atmosphere.
It became a massive hit and is a historical classic that’s indispensable when talking about house music.
It’s high-energy yet somehow dubby; incidentally, it’s also very popular as background music for dancers’ battles and showcases.
Yes, this track is a crossover between old-school hip-hop and dance music.
It's the person we met at the museum, right?P-MODEL33rank/position

No ordinary person would ever come up with a title like this.
Formed in 1979, P-MODEL was one of the so-called “Techno Big Three,” and today, in the 2020s, continues as Susumu Hirasawa’s solo project “Kaku P-MODEL,” with Hirasawa himself handling vocals and guitar.
Their influence extends beyond music into wider culture—for example, the main characters’ surnames in the popular series K-On! and the band parts they play are said to draw from P-MODEL members.
P-MODEL’s major-label debut single, “Bijutsukan de Atta Hito da ro” (“You’re the One I Met at the Museum”), as mentioned at the outset, fuses Hirasawa’s enigmatic, brilliant lyrics; the bleepy, techno-pop-style electronics; a danceable rhythm; and a seemingly nonchalant yet almost runaway power rivaling that of a punk band.
The result is a masterpiece that stands as a world-class example of Japanese new wave.
It’s a classic in the context of techno-pop, yet at the same time can also be described as an incisive track emblematic of contemporaneous post-punk and new wave.
Cosmic TreatPerfume34rank/position

This is one of the tracks included on the album “Nebula Romance: Part I.” The song was selected as the ending theme for the TV anime BEYBLADE X.
It’s an electropop piece that expresses the grand theme of space with dazzling synths and a buoyant beat.
The lyrics depict a weightless world, brimming with a sense of floating that lures listeners into the extraordinary.
It’s the perfect number for when you want to indulge in daydreams.
Human Factory -Electroformed Humans-Perfume35rank/position

An unconventional work set in a dark, mysterious world was released in February 2025.
Its distinctive sound fuses Perfume’s four-on-the-floor roots with grand synthesizers and a deep synth bass.
Through near-futuristic themes like artificial intelligence and robots, it carries a profound message about unconscious living in modern society and humans as beings embedded within systems.
Also chosen as the theme song for the film “Showtime Seven,” it brilliantly expresses the movie’s worldview from a musical perspective.
Coupled with vocal work that effectively employs mechanical effects, this piece exudes the ambiance of an SF film soundtrack, making it a recommended track for quiet nighttime drives or whenever you want to imagine the future.





