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King Crimson Popular Song Rankings [2025]

King Crimson has been active since 1968, and although there have been hiatuses, they have been performing for over 50 years.

They have had a tremendous influence on many musicians, especially in rock, and they remain very popular today.

Among their many songs, here are some of the most popular ones.

King Crimson Popular Song Ranking [2025] (1–10)

Easy MoneyKing Crimson8rank/position

Included on King Crimson’s fifth album, Larks’ Tongues in Aspic, whose Japanese title is Taiyō to Senritsu.

Released in 1973.

In Japan, it was used in 2007 as the commercial song for the Toyota ist.

Incidentally, the distinctive watery sound in the intro is the noise of a mop being slammed down.

Elephant TalkKing Crimson9rank/position

King Crimson: Elephant Talk (live on Fridays)
Elephant TalkKing Crimson

Included on the 1981 album Discipline, which marked the reboot of King Crimson led by Robert Fripp after his silence following the band’s breakup declaration in the ’70s.

It showcases the trickiness of Adrian Belew, who joined as guitarist and vocalist.

Belew is also known in Japan for TV commercials where he used his guitar to mimic animal sounds.

Frame By FrameKing Crimson10rank/position

King Crimson is a British progressive rock band that has been active for many years, changing its musical style with the times since its formation in 1968.

The track Frame By Frame from their 1981 album Discipline opens with an eccentric intro that immediately grabs your attention.

Its floating melody set over a 7/4 rhythm and the distinctive guitar arpeggios convey the depth of the band’s artistry.

Even the sections in regular time pack a powerful punch—it’s a thrilling number.

King Crimson Popular Song Ranking [2025] (11–20)

Matte KudasaiKing Crimson11rank/position

King Crimson – Matte Kudasai
Matte KudasaiKing Crimson

When it comes to moments where Japanese lyrics shine in Western music, perhaps none exemplify it better than King Crimson’s heartwarming ballad “Matte Kudasai.” Released in 1981 on the album Discipline, the song’s delicate guitar tones and the poignant Japanese title phrase “wait, please” exude a unique sense of wistfulness.

The performances by renowned musicians—Adrian Belew and Robert Fripp on guitars, Tony Levin on bass, and Bill Bruford on drums—leave a quiet afterglow in the listener’s heart.

It may well be that songs like this, created in pursuit of essence rather than commercial success, hold the secret to being loved across time.