[20s] Karaoke Crowd-Pleasers Ranking [2025]
The key to choosing songs at karaoke is whether they hype up the atmosphere, right?
This time, we’ll introduce karaoke songs that have been popular among people in their 20s and are guaranteed to get the crowd going.
We hope you find it helpful!
Give them a try.
- [Women] Popular Karaoke Rankings [2025]
- Karaoke Popularity Rankings by Generation for People in Their 20s [2025]
- [2025] Songs You Can Add Chants to at Karaoke: A Roundup of Crowd-Pleasers
- [For College Students] Recommended Karaoke Songs That Get the Crowd Going [2025]
- [20s] Ranking of Easy-to-Sing Karaoke Songs [2025]
- Top Karaoke Rankings for Men [2025]
- [Teens] Karaoke Crowd-Pleasers Ranking [2025]
- [College Students] Ranking of Easy-to-Sing Karaoke Songs [2025]
- [30s] Karaoke Songs That Get Everyone Hyped: 2025 Ranking
- Karaoke Crowd-Pleasers Ranking [2025]
- [Must-See for Men] Karaoke Songs Popular with Women in Their 20s: A Curated Selection of Standout 'Attractive' Tracks!
- Karaoke Crowd-Pleasers: Women’s Ranking [2025]
- Easy-to-sing songs recommended for women in their 20s with low voices | Also great for getting a good reaction at karaoke!
[20s] Karaoke Songs That Get the Crowd Going Ranking [2025] (31–40)
The impact of a single dropUVERworld36rank/position

It was selected as the opening theme for the MBS/TBS anime Blue Exorcist: Kyoto Saga, which led to a dramatic surge in popularity.
It’s an intense rock track that packs in everything cool about UVERworld, so it’s guaranteed to get people fired up.
together; along with; bothWANIMA37rank/position

WANIMA’s hit song “Tomoni.” While many of its lyrics are negative, the chorus suddenly shifts to a highly positive message, and that strong contrast made the track popular with many listeners.
In this piece, the lowest note is mid1 F and the highest is hi C#, which is a relatively wide range for a male vocal song.
However, the hi C# only appears twice in the first verse’s A section; the song is basically structured with hi A# as the top note, so with key adjustment it can be quite singable.
Since it tends to have fewer natural breakpoints, lowering the key by one step from your optimal key may work better when actually singing.
Ms. Hanako on a high pedestalback number38rank/position

For those in their 20s looking for a song that captures the ache of unrequited love, this track is highly recommended.
Released by back number in 2013, it’s included on the album “Love Story” and also appears on the best-of album “Encore.” It was featured in a Kirin Brewery commercial in 2019 and performed at the 73rd NHK Kouhaku Uta Gassen in 2022.
With its catchy melody and relatable lyrics, it portrays the frustration and poignancy of a one-sided crush, resonating with many listeners.
It’s the perfect choice when you want to liven up a karaoke session or reminisce about past romances.
STAY TUNESuchmos39rank/position

It’s the lead track from Suchmos’s second mini-album “LOVE&VICE,” released on January 27, 2016.
It’s a stylish, fast-tempo dance tune.
The lyrics depict a sense of disgust toward city drunks.
Since September 2016, the song has been used as the commercial song for Honda’s VEZEL.
SHIKIBU feat. Awa no OdorikoRekishi40rank/position

This is Rekishi’s first single, released on November 25, 2015.
It was used as the theme song for the NTT Docomo “d Hits powered by RecoChoku” commercial.
Chatmonchy, also known as the Awa Dancing Girls, took part as chorus singers.
A witty, humorous track themed around Murasaki Shikibu, a writer from the Heian period.
[20s] Karaoke Songs That Get the Crowd Going Ranking [2025] (41–50)
threadCreepHyp41rank/position

CreepHyp, which has been active with its current members since 2009, wrote the song “Ito” as the theme for the film “Teiichi: Battle of Supreme High.” Known for their distinctive worldview, the band is uniquely individual while having long captivated a large and passionate fanbase.
RewriteASIAN KUNG-FU GENERATION42rank/position

A single released by the rock band ASIAN KUNG-FU GENERATION on August 4, 2004, it is one of their signature songs.
It served as the fourth opening theme for the MBS/TBS anime Fullmetal Alchemist, and is a hugely popular track so well-known that virtually no one in their twenties hasn’t heard of it.
The song is memorable for its fusion of the band’s musical style with philosophical lyrics.
Even if you’re not familiar with ASIAN KUNG-FU GENERATION, many people have likely heard this song.





