RAG Musicrecreation
Lovely senior life
search

Energizing songs recommended for men in their 70s: A roundup of nostalgic power tracks

When you think of uplifting songs recommended for people in their 70s, what tunes come to mind?

From classic enka to Showa-era pop hits, there are countless power songs from around the 1970s that fill you with energy when you listen to them.

In this article, we’ll introduce a selection of especially uplifting songs recommended for men in their 70s.

We hope you’ll enjoy the songs even more by reading the lyrics as you listen.

We’d be happy if this serves as a reference not only for those in their 70s looking for songs to enjoy themselves, but also for younger generations searching for popular songs among people in their 70s.

Energizing songs recommended for men in their 70s: A collection of nostalgic power songs (31–40)

Northern fishing groundsSaburō Kitajima

Northern Fishing Grounds - Saburo Kitajima
Kita no Ryōba by Saburo Kitajima

Set against the harsh fishing grounds of Hokkaido, this enka masterpiece portrays the pride and resolve of fishermen.

The image of men braving raging waves and biting cold while thinking of tomorrow’s catch is deeply moving.

Its powerful melody and Saburo Kitajima’s richly expressive vocals brilliantly capture the fishermen’s way of life.

Released in June 1986, the song won the Best Vocal Performance at the 28th Japan Record Awards.

It’s recommended for older listeners as a piece that recalls life experience and pride in one’s work.

Let's get married.Takuro Yoshida

This work is memorable for its translucent, beautiful melody and sweet, poignant vocals.

Released in 1972, the song marked a major turning point in the history of folk music.

Centered on acoustic guitar, its warm sound creates an atmosphere that gently envelops feelings of love.

While poetically depicting springtime scenes, Takuro Yoshida expresses sincerity and pure affection.

Simple yet profound in its message, this classic reached a peak of No.

3 on the Oricon weekly chart.

Its heartwarming, gentle tone and tender vocal timbre enrich everyday moments.

It’s a song to savor slowly on a blossoming spring day, reminiscing with those of the same generation as memories come into full bloom.

Ah, I’m so fed up.Shinji Maki

“Ah, I’m Fed Up” by Shinji Maki, 1964
Ah, I'm so fed up, Makishi Shinji.

Makishinji’s unique style—delivering a memorable chorus phrase alongside lively ukulele playing—cheerfully sings about the social satire and everyday contradictions of the time.

Set to the melody of the Hawaiian classic “Tahu-a-Faai,” this single portrays relatable scenes everyone experiences, such as outings with a sweetheart, family leisure, and hierarchies among relatives.

Released by Nippon Columbia in December 1964, it’s a heartwarming song that shines in settings where everyone can laugh together, like banquets and dinner gatherings.

Marilyn Monroe No ReturnAkiyuki Nosaka

With a voice tinged with heartbreak and resignation that evokes the end of the world, this classic has been deeply etched into many listeners’ hearts.

Its weighty, socially reflective poetry blends beautifully with a chanson-like, elegant melody line, crafting a singular soundscape.

Interweaving Buddhist imagery and the changing seasons, Nosaka Akiyuki’s vocal performance is breathtaking as it quietly speaks of life’s impermanence and the cycle of rebirth.

Released by Nippon Columbia in 1971 and included on the album “Nosaka Uta Taizen I: Singing Sakurai Jun,” the song was also featured in the 1973 film “Contemporary Gangsters: The Three Blood-Cherry Brothers.” It’s a recommended piece for those seeking to touch a deeper truth of life, or to quietly reflect on their hearts on a still night.

Open! TulipKanpei Hazama

Open, Tulip# Kanpei Hazama: 'Speaking of Showa-era pastimes, it's got to be pachinko!' (Japanese song)
Open! Tulip Kanpei Hazama

A signature satirical comedy song symbolizing pachinko culture, this is Kanpei Hazama’s hallmark work released in August 1975.

Vividly depicting Showa-era entertainment—like the Warship March playing in pachinko parlors of the time, hand-cranked machines, and the smoky, permissive atmosphere inside—the song reached a peak of No.

25 on the Oricon charts and became a massive hit with over one million copies sold.

In December of the same year, it was also chosen as the theme song for the Nikkatsu film “Wet Lust: Open, Tulip,” enriching the world of director Tatsumi Kumashiro’s work.

Its bright, sprightly melody and Hazama’s distinctive vocals create a humor that’s sure to liven up parties and family gatherings alike.

Uplifting songs recommended for men in their 70s: A collection of nostalgic power songs (41–50)

Examinee BluesTomoya Takaishi

A masterful folk song that portrays the agony and inner conflict of exam-takers with humor and irony.

Goro Nakagawa, then a third-year high school student, wrote the lyrics during a remedial class, and Tomoya Takaishi completed the piece by setting them to a lively, country-style melody.

Vividly depicting a day in the life of a student preparing for entrance exams, the song sharply expresses the emptiness of a life consumed by studying.

Released in February 1968, it became a hit with total sales of 900,000 copies.

It still resonates today and is often sung at parties and gatherings with friends.

It can be considered a valuable work that allows people across generations to look back on the exam wars that symbolized Japan’s rapid economic growth era in the Showa period.

Traveler,Yuzo Kayama

Traveler / Yuzo Kayama [with lyrics]
Traveler, Yuzo Kayama

It’s a heartwarming classic woven with words that gently accompany each person’s life, a song that sinks deep into the heart.

While evoking memories of one’s hometown, it stands out as an anthem cheering on travelers who keep walking forward, its lyrics brimming with tenderness and strength.

Yuzo Kayama’s clear, translucent voice blends beautifully with the harmonies of The Launchers, creating superb balance.

The piece was released to the world as the B-side to the single “Gazing at the Night Sky” in October 1966, and was also used as an insert song in the film “Let’s Go! Wakadaisho.” In May 2010, a duet version with Ryoko Moriyama was included on the album “50 Years of Wakadaisho!” It’s highly recommended for those standing at a crossroads in life or wishing to reflect on cherished memories.