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Japanese karaoke songs that are easy for men in their 60s to sing

This time, we checked out Japanese songs that are easy for men in their 60s to sing at karaoke! They’re known for being generally easy to sing, with comfortable pitch, tempo, and volume.

They could make a great addition to your repertoire.

Take this opportunity to use it as a reference!

Karaoke songs in Japanese that are easy for men in their 60s to sing (41–50)

Like tonight's moonElephant Kashimashi

It’s a deeply moving masterpiece that powerfully sings of passion for the future while gazing into everyday feelings of emptiness and loneliness.

Set against the backdrop of a city at dusk, it portrays the solitude and struggles of people living in an urban landscape, yet conveys a strong will to keep looking forward and moving on.

The soulful vocals unique to Elephant Kashimashi and the melody that resonates with the heart are beautifully in harmony.

Released in July 1997, the song was used as the theme for the Fuji TV drama “Because the Moon Shines at Night,” and was also included on the album “Run Toward Tomorrow – Moonlit Songs.” In 2017, it was performed in the band’s first appearance on the NHK Kōhaku Uta Gassen, winning over even more listeners.

It’s a track that will evoke deep empathy when you feel lost in life or spend a night thinking of someone dear.

My Father's Longest DayMasashi Sada

Masashi Sada is a singer-songwriter who has left many masterpieces with his uniquely narrative lyrics.

Among his works, “Oyaji no Ichiban Nagai Hi” (“A Father’s Longest Day”) is considered one of his finest, depicting a father’s warm feelings for his daughter as she gets married.

Although the song is moving, the vocal line is surprisingly restrained, with no sections that demand complex melodic leaps.

The range is also relatively narrow, so why not consider adding it to your repertoire?

To the most important personTunnels

The classic Tunnels song “To the Most Important Person.” When it comes to Tunnels’ tracks, this is probably the first one many people think of.

Contrary to its masculine melody, the vocal line is surprisingly straightforward.

Its narrow range is particularly notable, keeping every part in the low to lower-mid register.

This is the easiest range for men in their 50s to sing, so it should be perfectly manageable for karaoke at after-parties or late-night gatherings.

Consider adding it to your repertoire.

If I Could Play the PianoToshiyuki Nishida

Toshiyuki Nishida, who has left a strong mark in many works as a renowned actor.

He’s a versatile performer, and for a time he was active as a musical artist as well.

When it comes to songs that represent him, isn’t it, after all, “Moshimo Piano ga Hiketa Nara” (“If Only I Could Play the Piano”)? It’s characterized by a very calm vocal delivery, with a relatively even melodic contour and a narrow range.

It’s ideal for karaoke when you’re getting tired and want to sing something that can be performed softly.

Sunset SongMasahiko Kondo

Masahiko Kondo “Song of the Sunset”
Yuyake no Uta Kondo Masahiko

As a leading idol of the Showa era, Masahiko Kondo left behind many classic songs.

While many men have little interest in male idols, I imagine quite a few men in their late 50s made an exception for this song, “Yuuyake no Uta.” This work exudes a mature, understated cool, featuring a melody with a hint of enka.

The vocal range is fairly average, but because the vocal lines embody the familiar enka-like feel that Japanese listeners are accustomed to, it’s very easy to sing.

Wine Red HeartSafe zone

This song is the fourth single by Anzen Chitai and was released in 1983.

It was used as a theme song for an alcohol commercial and as the ending theme of a TV drama, so many people may have sung it at karaoke back then.

The difficulty might be a bit high, but it’s a timeless classic that has been covered by various artists.

Do whatever the hell you want.Kenji Sawada

This is a 1977 hit by Kenji Sawada—better known as Julie—who was also famous for his flashy performances and costumes.

When he sang this song, he wore a cream-colored three-piece suit and performed a move where he threw a hat worn at a slant.

If you have a hat, we highly recommend tossing it and striking a dashing pose.

This is a song where performance skills matter more than vocal power.