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Japanese karaoke songs that are easy for men in their 60s to sing

This time, we checked out Japanese songs that are easy for men in their 60s to sing at karaoke! They’re known for being generally easy to sing, with comfortable pitch, tempo, and volume.

They could make a great addition to your repertoire.

Take this opportunity to use it as a reference!

Karaoke songs in Japanese that are easy for men in their 60s to sing (51–60)

Ballad of a SingerKazuyoshi Saito

Kazuyoshi Saito – Ballad of a Singer (2008 Ver.) [Music Video]
Ballad of a Singer by Kazuyoshi Saito

A timeless adult classic by Kazuyoshi Saito, celebrated for its deeply moving vocals and rich storytelling.

This exquisite ballad conveys heartfelt emotions for a loved one—feelings that are hard to say out loud—set to song with disarming honesty.

Its simple melody and resonant guitar gently enfold the lyrical world.

Since its release in November 1997, many artists have covered it, and in 2017 it was used as the theme song for the animated film “Lu Over the Wall.” In August 2022, a performance on THE FIRST TAKE drew significant attention, extending its appeal to a new generation.

With a relaxed tempo and a relatively narrow vocal range, it’s easy to sing with ease.

Why not sing it with all your heart, pouring your feelings for someone special into every note?

The Bride SambaHiromi Go

[Official] Hiromi Go “Oyome Samba” LIVE -To Commemorate Release on Subscription Services-
Yome Samba by Hiromi Go

It’s been loved for many years as a wedding song classic, hasn’t it? “Oyome Samba,” released as a single in 1981.

It features a lively, mood-lifting style and Hiromi Go’s vibrant vocals.

Some of you might even say it’s already your go-to karaoke number.

Though it has an upbeat vibe and sounds like it’s in a higher range, it’s actually surprisingly low.

If you want to liven up a big group karaoke session, this is the first song I’d recommend!

You are more beautiful than a rose.Akira Fuse

This song is by Akira Fuse, released in 1979, and it was used in a cosmetics commercial.

The composer is Mickey Yoshino, and the backing band members were from Godiego.

Since the lyrics describe how a woman the singer hasn’t seen in a long time has become beautifully transformed, it’s a song that can score high points when performed in front of women.

The difficulty level is on the higher side, but it’s worth the challenge.

TSUNAMISouthern All Stars

Known as a masterpiece that likens the pain of heartbreak to a tsunami, this work is a moving love song celebrated as one of Southern All Stars’ signature pieces.

It’s a gem of a ballad that expresses the sorrow of losing someone dear through a grand melody, fully showcasing Keisuke Kuwata’s exceptional songwriting and composing talent.

Released in January 2000, it topped the Oricon weekly charts and won the Japan Record Award the same year.

It was also selected as the theme song for the popular segment “Mirai Nikki III” on the TV program “U-nan no Hontoko!,” becoming a classic beloved across generations.

As a heartwarming song that offers comfort to those carrying the pain of losing someone special, it’s also highly recommended for karaoke.

Japanese karaoke songs that are easy for men in their 60s to sing (61–70)

Beard and BoobsUnicorn

One of Unicorn’s signature works, this song humorously portrays the wavering emotions caught between a salaryman’s job and his love life.

Tamio Okuda’s lyrical world shines as he deftly weaves in modern workplace relationships, from a young company president to the woman at the neighboring desk.

Released in October 1991, the track features an arrangement inspired by the grand sound of Electric Light Orchestra, with a striking use of synthesizers.

As the closing song on the album “Hige to Boin,” it brilliantly conveys the complex feelings of a man who can’t give up on love even while being overwhelmed by work.

It’s a perfect pick for livening up after-work karaoke with colleagues.

Lingering Snowdolphin

This song was originally written and composed by Shozo Ise and released by Kaguyahime in 1974, but Iruka’s version became the bigger hit, so many people think of it as her song.

It’s still sung today and is known across a wide range of age groups, so it’s likely to be well-received no matter the audience.

Besides karaoke, it might be nice to try performing it as a solo with guitar, too.

The Camellia Sasanqua InnEisaku Okawa

♪Sazanka no Yado — Eisaku Okawa (vocals) ~ Camellia Flowers!
Sazanka no Yado EISAKU OKAWA

I think those who listened to it in real time back then will find it familiar.

Everyone knows it, and Uta should try singing it with a powerful, ornamented style, adding her own originality as if making it her own.

To build confidence in your singing, try singing it slowly.