Legendary techno masterpieces that go down in history. Recommended albums you should listen to at least once.

Moon Over Joseph’s BurialShackleton

Shackleton – Moon Over Joseph’s Burial

This massive three-disc set by England’s Shackleton—renowned as an innovator in the dubstep scene—is a landmark release from the late 2000s on the prestigious PERLON label.

With ritualistic rhythms that evoke folk traditions and subterranean bass that rumbles from the depths, the music entwines into an experience like stumbling into an ancient ceremony.

The feeling of wandering through a dark, mysterious sonic jungle lingers long after listening.

This profound world can’t be summed up by the word “techno” alone—take your time and dive in.

Luxury ProblemsAndy Stott

Luxury Problems

This is a masterpiece by the British producer Andy Stott that leaves you with a tightness in your chest, as if peering into the abyss.

A turning point in his career, the album is marked by mud-heavy, sinking beats and an industrial texture.

Against its bleak, shadowy soundscapes, the vocals of former piano teacher Alison Skidmore bring a warm, translucent presence that seems to descend from the heavens.

But that, too, doesn’t last long, and you’re pulled back into a cold, concrete-like sonic environment.

Why not listen to it on a solitary night, when you want to fully sink into a world of sound?

Nautical DubPorter Ricks

Porter Ricks – Nautical Dub

Porter Ricks are a Berlin-based duo from Germany.

Their debut album, Biokinetics, feels like embarking on a deep-sea voyage in a sonic submarine.

The plunging low frequencies and bubble-like bursts of white noise make you almost feel the chill and pressure of the water on your skin.

Close your eyes, and you’re already in a world of silence where light can’t reach.

Relying only on the echoes that resonate underwater, there’s an irresistible thrill, as if you’re navigating an unknown ocean trench.

If you want an experience different from everyday music listening—one that immerses your whole body in the texture of sound—you might consider surrendering yourself to this deep, mysterious ocean of acoustics.

The Dice ManV/A

the dice man – polygon window HQ

This is a historic Warp Records compilation that opened a new door for electronic music—one to be listened to at home rather than in clubs.

The soundscapes woven by mavericks like the UK’s Aphex Twin and Autechre, and Canada’s Richie Hawtin, are electrifying.

Beyond floor-shaking beats, the dreamy melodies that take your mind on a deep journey are unforgettable.

The cover art—robots relaxing while listening to a classic—seems to embody the concept of “electronic music for listening.” It’s often said that without this one, the later scene wouldn’t exist.

How about giving this masterpiece a careful listen on a quiet night?

Königsforst 1gas

Gas – 01 (Königsforst)

Königsforst, known as a signature work by Wolfgang Voigt’s project GAS, takes its title from a real forest near Cologne, with the artist’s fantastical experiences serving as its creative wellspring.

Its sound—woven from mist-like fragments of classical music and a faint, heartbeat-like pulse—feels like wandering deep within a forest.

The result is a lyrical, beautiful world that transcends the bounds of techno.

On a night when you want to calm your mind, why not stroll through this enchanted forest of sound?

MinusRobert Hood

Robert Hood – Minus

This album, which opens with a synthesizer that has an analog-like, beautiful tone, is Internal Empire.

It’s a work by American electro artist and DJ Robert Hood.

Freely blending analog and digital sounds, as well as live acoustic percussion, it’s an album that, while showing an experimental side, remains pop and danceable.

Underground Resistance

Interstellar Fugitives Mix- Underground Resistance

The mix “Interstellar Fugitives” by the American techno collective Underground Resistance.

They’re a heavyweight in the techno scene, active since 1989 with Detroit techno at their core.

The atmosphere is relentlessly dark and serious, yet it’s laced with an improvised rawness and live sounds from bass and traditional instruments, so you never know what’s coming next—and you get completely drawn in.