Japanese pop songs that are easy for women in their 20s to sing at karaoke
We’ve put together a list of karaoke songs that women in their 20s often find easy to sing!
When choosing songs for karaoke, the vibe of the group and who you’re with can make the difference between a song you can sing and one you can’t.
Many people probably switch up their repertoire depending on the situation.
Even if a song fits the occasion, there are times you can’t sing it because it’s too high or too low—even if you love it.
So in this article, we’ll introduce recommended songs with a focus on various aspects of singability.
We’ve gathered tracks like “widely known hits,” “classics that hype up the room,” “songs without extreme vocal ranges,” and “tunes that feel nostalgic for people in their 20s.”
Find the perfect song for you and give it a try at karaoke!
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Karaoke Songs in Japanese That Are Easy for Women in Their 20s to Sing (131–140)
The dust on the shade extendsI wish it could stay midnight forever.
The band Zutto Mayonaka de Iinoni.
, known for catchy music and lyrics that capture young listeners, has gained widespread popularity.
Because vocalist ACA-ne has a high voice, women with lower vocal ranges might tend to avoid their songs.
That’s why we recommend “Shade no Hoshi wa Enchō.” It may sound like a high-pitched song, but its overall range isn’t very wide, so as long as you adjust it to your own key, women with lower voices should be able to sing it without any trouble.
SunYorushika
In the contemporary Japanese music scene, most popular artists have high-pitched voices.
However, Yorushika is different.
Suis, the vocalist of Yorushika, has a comparatively low voice for a popular artist, and many of their songs are easy to sing for women with lower vocal ranges.
Among them, “Taiyō” (The Sun) particularly emphasizes the lower register, and because the vocal lines are kept simple, the song is structured to be very easy to sing from start to finish.
platitudesHoshimachi Suisei
Suisei Hoshimachi, the VTuber currently attracting the most attention, is a member of hololive and has gained nationwide popularity as an artist.
While many of her songs span a wide vocal range with touches of falsetto, that’s not the case with Kireigoto.
In this piece, aside from a single falsetto moment that appears once in the chorus, there are no high parts, and the song is arranged in a low register throughout.
Even the falsetto line is something she could sing in chest voice but chooses to render in falsetto, making it easy to sing for women with lower voices.
Nightmare SyndromeSakurazaka46
Among the Sakamichi groups, Keyakizaka46 has been gaining momentum in particular.
The Sakamichi groups have always been appealing for their stylish musicality, but with the recent K-pop boom, we’ve seen more music that pushes a sharper edge.
Their new song, “Nightmare Syndrome,” is exactly that.
It’s a fusion of gothic and pop, with a sound reminiscent of Sam Smith’s “Unholy.” The production emphasizes low frequencies throughout, and the vocal lines aren’t as complex as typical K-pop, making it a very singable track for women with lower voices.
Boo…Praise
Reisan is a band formed primarily by Saaya from the comedy duo Laland and Enon Kawatani from Gesu no Kiwami Otome.
They’re known for their refined musicality and downer-tinged melodies that tastefully incorporate elements of Black music.
Among their songs, the one I especially recommend is Uramesshiya.
It maintains a very calm mood throughout with no high parts.
Because of its downbeat character, breath control is key; if you focus on vocal thickness and audible breathing as you sing, it really brings out the appeal of women with lower voices.
ElfAdo
Ado’s new song “Elf.” When it comes to Ado, her wide vocal range and strikingly dramatic pitch shifts are memorable.
In contrast, this piece features a more relaxed vocal line with a modest range for an Ado track.
There are a few falsetto passages starting from the first verse, but they’re sung in falsetto by choice; the pitches are still comfortably reachable in chest voice.
As a result, even women with lower voices can sing it without strain.
There’s a key change in the chorus, but it modulates downward, which is another welcome aspect for singers with lower voices.
Things that have formKo Shibasaki
Ko Shibasaki, now also recognized as a historical drama star, is equally cool as an artist! This song is the theme for the TV drama adaptation of the much-talked-about ‘Crying Out Love in the Center of the World.
’ For people in their twenties, it’s a nostalgic track.
Ko Shibasaki also appeared in the film version, which makes the song resonate even more.
The melody sits in a comfortable range for female voices, so it’s an easy song to sing.