[Recommended for your 20s] Songs that get the crowd going at karaoke | From the latest hits to timeless classics

HabitSEKAI NO OWARI

SEKAI NO OWARI「Habit」

SEKAI NO OWARI’s hit song “Habit.” Many listeners were likely astonished by this track, which departs from their usual fantastical worldview and instead delivers somewhat caustic, realistic lyrics.

As the groove is emphasized throughout, the song sits within a generally standard vocal range for a SEKAI NO OWARI track, from mid1 C to mid2 F.

However, since the highest note (mid2 F) appears fairly frequently, it may be better to lower the key slightly depending on the singer’s range.

While it’s overall on the easier side, there are several rap-like sections, so it’s recommended to firmly memorize the flow that matches the lyrics.

Tomorrow as wellSHISHAMO

SHISHAMO “Tomorrow Too”

SHISHAMO’s hit song “Ashita mo.” The key change in the chorus feels incredibly satisfying, and thanks to its exhilarating vibe, this J-rock number gained popularity nationwide.

The vocal range is standard, spanning mid1F# to hiC.

The highest note, hiC, appears frequently in the chorus, so it’s a song that requires a bit of stamina.

If it feels tough, try lowering the key.

If the lowest notes are hard to hit, you can alternatively shift them up to around mid1G#.

It’s a track that’s sure to hype up any J-rock fan, so definitely consider adding it to your repertoire.

together; along with; bothWANIMA

WANIMA – Together (OFFICIAL VIDEO)

WANIMA’s hit song “Tomoni.” While many of its lyrics are negative, the chorus suddenly shifts to a highly positive message, and that strong contrast made the track popular with many listeners.

In this piece, the lowest note is mid1 F and the highest is hi C#, which is a relatively wide range for a male vocal song.

However, the hi C# only appears twice in the first verse’s A section; the song is basically structured with hi A# as the top note, so with key adjustment it can be quite singable.

Since it tends to have fewer natural breakpoints, lowering the key by one step from your optimal key may work better when actually singing.

shameless; indecentCHANMINA

CHANMINA – Shameless (Dance Performance Video) –

Currently drawing attention after being targeted with a diss by NENE, the female rapper Chanmina.

Her track “HARENCHI” is a masterpiece that showcases her wide musical range.

In this song, the lowest note is mid1 E, which is on the lower side for a female track, but the highest note is hi B, so the overall range is relatively narrow.

Therefore, as long as you adjust the key, most women should be able to sing it without issue.

The song carries a languid vibe throughout, making the vocal technique known as “fall” particularly important.

You’ll likely learn this technique faster by referencing Western music rather than J‑pop, so while working on this track, listen to Western R&B as well to build your repertoire of falls.

Team friendsYuki Chiba

Yūki Chiba – Team Tomodachi (Official Music Video)

The release Team Tomodachi sent shockwaves through the hip-hop scene.

It’s an essential work when discussing Japan’s J-trap movement—hugely popular in Japan and it sparked major hype overseas as well.

People in their 20s are the generation that lived through the peak of the MC battle boom.

A lot of them probably became heads from there and were quick to check out this project.

As a trap track, it’s put together with an especially singable flow, so be sure to rap it with your my men!

EdisonWednesday Campanella

Wednesday Campanella “Edison”

Speaking of Wednesday Campanella since Shiina took over as vocalist, isn’t “Edison” the track that leaves the strongest impression? In this song, the highest note is a hi C#—but that only appears in a few falsetto phrases.

If we look at just the chest voice, it spans from mid2 B to hi A, which is relatively narrow for a female vocal piece.

Thanks to its addictive catchiness and singability striking just the right balance, it’s a song many women will likely want to add to their repertoire.

I love youuu!HoneyWorks feat. Chuutan

Sukicchu-no! feat. Chuutan (CV: Saori Hayami) / HoneyWorks

The song “Sukicchu-no!” by HoneyWorks and Chu-tan.

Compared to the previous track “Kawaikute Gomen,” this one tones down the cutesy, coquettish elements and overall delivers a more traditionally girly vibe.

The vocal range is mid2B to hiC, which is slightly high for a typical female vocal piece, but since the song shines through breath work—like breaths and consonants—to enhance its charm, the overall difficulty is on the lower side.

It’s a track that’s sure to be a hit among girls or at mixers.