Vocaloid songs that start with 'Ka'
The Vocaloid scene just keeps getting more and more exciting!
In addition to offline events held every year like “Magical Mirai,” the online event “The VOCALOID Collection,” commonly known as VocaColle, becomes a major topic of conversation every time it’s held.
There’s even a new term for younger Vocaloid fans: the “Vocaloid-native generation.”
It wouldn’t be an exaggeration to say that the world of synthesized vocals has taken root as a music genre in its own right.
Now then, what I’m going to introduce this time is Vocaloid songs that start with the letter “Ka” (か)!
I hope you discover some new music you’ll love!
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Vocaloid songs starting with “Ka” (91–100)
I want to be cute.HONEY WORKS
It’s a cute song about a girl in love.
I recommend listening to it in the morning while doing your makeup and thinking about the person you like.
It has a sweetness that makes women feel glad to be girls.
The official singer, voice actress Sora Amamiya, is very popular, so I really hope you’ll give it a listen.
Eyelid opening indulges in emptiness.IDONO KAWAZU
It’s a Vocaloid rock tune that’s fun precisely because you can’t predict what’s coming next.
It’s a track by Vocaloid producer IDONO KAWAZU, also known for “Akki to Satou,” released in May 2023.
The song moves forward anchored by a jagged, shredding guitar sound, but then suddenly drops the rhythm—only to erupt into a burst of speed the next moment.
You end up getting hooked on that whirlwind feel.
The arrangement in the final chorus, where it’s like your field of vision suddenly opens up, is fantastic too, so be sure to experience it for yourself! IDONO KAWAZU’s songs really stick in your head together with their MVs, don’t they?
Vocaloid songs starting with “Ka” (101–110)
When a crow cawsMisumi
You know how, at dusk when there’s no one around, you somehow feel like you’ve slipped into another world…? This track by Vocaloid producer Misumi—known for hits like “ALTER EGO”—was released in May 2023.
It’s a steadily unfolding piece of electronic music that’s soft, cute, and somehow a little insane.
Before you know it, you feel like you’re inside the song’s world.
The music video really reinforces that impression too—it kind of has a horror game vibe.
Become the windNeru
It’s a thrilling rock tune born from a collaboration between the manga magazine CoroCoro Comic and the Vocaloid festival VOCALOID Collection (VocaColle).
“Kaze to Nare,” produced by the popular Vocaloid creator Neru, was released in August 2023.
It was created based on Futa Kimura’s manga “Unmei no Maki Modoshi.” The lyrics reflect the feelings of the story’s protagonist, Chrono, and they really stir the heart.
“Even when things don’t go well and you can’t retry, you’ll still face reality head-on.” It makes you want to be that way too, doesn’t it? Listening to it before an important match or exam seems like it would boost your concentration.
Can you put it in the past tense?Omoi
“Can You Put It in the Past Tense?” portrays the bittersweet romances of youth.
The male-female duo Omoi created it in 2019.
Its driving, band-style sound is striking, evoking a racing heartbeat.
It depicts moments in school life when the protagonist finds themselves following their crush with their eyes.
Running into the person walking alongside someone else makes the heart ache with longing.
Along with its dramatically unfolding story, it’s a Vocaloid track that resonates with Hatsune Miku’s energetic vocals.
Kaleidoscope HazeProject OverDoze
The title means “Kaleidoscope Fog.” It’s a very bright, upbeat song that makes you want to go shopping with close friends on a day off.
With most Western songs, the lyrics can be hard to understand, but this one includes an original Japanese translation in its music video, allowing you to enjoy the lyrics in a way close to the creator’s intent.
The deity has made crimson plums bloom on my back.SLAVE V-V-R
This is a sophisticated song featuring a strikingly vibrant horn section.
Created by Vocaloid producer SLAVE.
V-V-R, it was released in April 2024.
The powerful vocals of Kasane Teto and the jazz-style arrangement leave a strong impression, and the lyrics—written entirely in the Okayama dialect—are uniquely compelling.
The song portrays an exchange between a god possessed by a plum and a man, and each intensely angry phrase inexplicably draws you in.
It’s a track that stirs the listener’s imagination.
Originally, this piece was intended to celebrate Kasane Teto’s 16th anniversary, but the concept apparently changed along the way.
I think it’s a work that even newcomers to jazz can enjoy.