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[From Classics to the Latest] A Special Feature on Vocaloid Masterpieces and Legendary Tracks!

Vocaloid songs that are popular with younger generations and big hits at karaoke!

In this article, we’ll introduce famous “god-tier” tracks for anyone thinking, “I want to get into Vocaloid, but I don’t know where to start!”

The Vocaloid scene kicked off around 2007, and since then countless masterpieces have continued to emerge up to today.

So we’ve picked out a whole lot of standout songs!

We’re also updating this article regularly so more people can discover the world of Vocaloid.

Even if you’ve read it before, be sure to check back again!

From Classics to the Latest: A Special Feature on Iconic and God-Tier Vocaloid Songs! (51–60)

Tokyo Teddy BearNeru

Kagamine Rin - Tokyo Teddy Bear [PV]
Tokyo Teddy Bear Neru

It sings about complexes and dissatisfaction, and the lyrics—aptly likening them to a teddy bear, as the title suggests—leave a strong impression.

It’s a rock track brimming with speed and energy, so I recommend it to fans of band sounds.

The vocal melody line is excellent, and it seems like it would feel great to sing at karaoke!

Kagerou Daysjin

Jin / Kagerou Daze [OFFICIAL MUSIC VIDEO]
Kagerou Daze Jin

This is the song that ignited the third VOCALOID boom.

Its narrative lyrics and high-quality, anime-like video sent shockwaves through the VOCALOID scene at the time.

Devoted fans emerged, and its diverse influences still remain in many areas today.

Ego RockSorry

Ego Rock (long ver.) / Surii feat. Kagamine Len
Ego-rock three

Srii is a Vocaloid producer known for melodious tracks that draw on his own experience in a band.

He’s known for songs like “Telecaster B-Boy” and “Kagirinaku Haiiro e.” In 2021, he created “Ego Rock,” a lively rock number that makes you want to clap along.

While the song has a pop and catchy feel, its sound also carries a touch of melancholy.

Why not let yourself be soothed by Kagamine Len’s cute vocals as he masterfully sings this uniquely atmospheric track?

Senbonzakurakuro usagi P

Many people probably think of this when they hear “Vocaloid song.” It’s a signature track by Vocaloid producer KuroUsa-P, who works as a member of the doujin music circle WhiteFlame, released on Niconico in 2011.

It’s a high-speed, Japanese-style Vocaloid rock song.

Its popularity is evident from the fact that it was adapted into a manga, a novel, and even a musical.

It’s also well known as a commercial jingle and is frequently included in rhythm games.

[From Classics to the Latest] Special Feature on Vocaloid Masterpieces and God-Tier Songs! (61–70)

godlikePinocchioP

PinocchioP – God-ish feat. Hatsune Miku / God-ish
God-ish PinocchioP

PinocchioP is a Vocaloid producer who led the Vocaloid scene in the 2010s, known for songs with highly distinctive themes.

He’s recognized for sharp, irony-laced lyrics.

In 2021, he released “God-ish.” Its tight yet humorous electronic sound, marked by a rhythmic tempo, leaves a strong impression.

The lyrics vividly capture the feelings everyone has toward creative works and are sure to make your heart skip a beat.

Be sure to listen to this track and savor Hatsune Miku’s distinctive flow.

Donut holeBee

Hachi – Donut Hole, HACHI – DONUT HOLE
Donut Hole Bee

A donut-shaped hole.

It’s a hole that’s opened up inside oneself.

This song expresses the fear that, by always taking the easy way out, we end up forgetting what truly matters.

The expectation that someone else will fill that hole only drags us down into becoming nothing.

That fear is conveyed through a catchy melody.

Opening your eyes and facing your own heart—this masterpiece teaches the importance of that.

Luka Luka★Night Feversamfree

[1080P Full style] Luka Luka★Night Fever Megurine Luka Project DIVA English lyrics romaji subtitles
Luka Luka★Night Fever samfree

This is a Vocaloid song released in 2009, sung by Megurine Luka.

It’s an upbeat tune reminiscent of the Eurobeat boom of the ’90s, with an outstandingly catchy groove.

It’s also a work that became very popular for derivative creations, including a “singing” cover by net idol Mitani Nana and a “dancing” video by Aikawa Kozue.

In the past, a trend also emerged for ad‑lib solo projects, where instrumental solos were added during the interlude.