A Compilation of Western Songs with Titles Starting with C [2025]
In this article, we’ve compiled and introduced only songs with titles that start with the letter “C,” focusing on a wide range of Western popular music—mainly rock and pop—from the 1950s up to the present 2020s.
For example, you might think there are dozens of songs whose titles begin with the word “California,” but… how many are there, really?
It’s a concept you won’t often see on other sites, and it’s perfect for a round of song-title shiritori, too.
Be sure to check it out!
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[2025] A Collection of Western Songs with Titles Starting with C (1–10)
Can’t Blame A Girl For TryingNEW!Sabrina Carpenter

Sabrina Carpenter, who is also well-known as an actress from the Disney Channel.
Her memorable debut single is a cute, uplifting anthem that cheerfully affirms her clumsy approach to love.
Tripping up in front of her crush, trying too hard and missing the mark—yet telling herself, “Hey, I tried my best, so it’s okay!” The song beautifully captures the feelings of a girl who humorously encourages herself.
A lively acoustic guitar and sparkling glockenspiel add color to a poppy melody that further enhances the song’s optimistic worldview.
Released in March 2014, the track was included on the album Eyes Wide Open and won “Best Crush Song” at the Radio Disney Music Awards the following year.
It’s a must-listen for anyone who rides the emotional rollercoaster of a one-sided crush—a song that will surely give you that gentle push to try again.
Call Your SisterNEW!Taylor Edwards

Singer-songwriter Taylor Edwards, based in Nashville and known for blending country and pop, has been gaining attention.
The featured song is a heartwarming country number from her album “Born in July (The Album),” released in September 2021, celebrating the deep love from an older sister to her younger sister.
You can truly feel the earnest yet gentle emotions of an older sister watching over her little sister—who is seventeen years younger—from afar.
The song went viral after Edwards posted a video she made between waitress shifts on TikTok, becoming such a phenomenon that it caught the eye of radio DJ Ryan Seacrest.
It’s a track we especially recommend to anyone living away from family or feeling homesick.
Come Back DownNEW!Men I Trust

Hailing from Montreal, Quebec, Men I Trust—renowned worldwide for their delicate, dreamlike soundscapes—deliver a track from their May 2025 album Equus Caballus that envelops listeners in a soothing blend of dream pop and indie pop.
The bittersweet longing for someone who has gone away to come back is rendered with subtlety through Emmanuelle Proulx’s languid vocals and airy synthesizers.
The psychological portrayal, where the loneliness of parting intersects with a faint hope for reunion, perfectly mirrors the pensive mood of a winter drive.
It’s a song to play when you want to lose yourself in memories of someone dear as you travel through the cold air.
[2025] A Compilation of Western Songs Whose Titles Start with C (11–20)
Capricorn (A Brand New Name)NEW!30 Seconds to Mars

This is the debut single from the rock band Thirty Seconds to Mars, fronted by Jared Leto, who is also globally renowned as an actor.
Featured on their first album, “30 Seconds to Mars,” the track heralds the beginning of their epic story.
The cosmic soundscape woven by heavy guitar riffs and synthesizers is truly breathtaking.
Centered on the theme of being reborn into a new self, the song conveys an intense yearning for self-discovery, delivered powerfully through Jared’s near-screamed vocals.
Released in July 2002 as the band’s first single, it reached No.
31 on the Billboard Mainstream Rock Tracks chart.
It’s a track that feels empowering—perfect for moments when you want to break through the status quo or engage in deep self-reflection.
Can I Sit Next to You, GirlNEW!AC/DC

When it comes to great rock bands born in Australia, it has to be AC/DC.
This is their very first original single, crafted under the leadership of the Young brothers.
The lyrics are delightfully youthful and straightforward, with the singer asking a girl he’s interested in, “Can I sit next to you?” Unlike the grittier hard rock image that would come later, the glittering sound here feels fresh, reflecting a clear glam rock influence.
This version features the band’s original vocalist, and after its release in Australia in July 1974, it peaked at No.
50 on the charts.
It was later re-recorded with a tougher arrangement and included on the classic album High Voltage.
This rough-cut gem, packed with the trials and errors of a great band in the making, is perfect for when you want to experience the dawn of a legend.
Cities on Flame with Rock and RollNEW!Blue Öyster Cult

Blue Öyster Cult carved out a unique niche by bringing intellectual, allegorical lyrics to hard rock—earning a reputation as “thoughtful heavy metal.” The track that marked their first step into rock history appears on their 1972 debut album, Blue Öyster Cult, and was also released as their debut single.
From the outset, the pummeling heavy guitar riff leaves an unforgettable impact.
In the lyrics, an apocalyptic vision of a city engulfed in flames is portrayed as the very embodiment of rock ’n’ roll’s destructive energy.
It suggests a grand theme: a declaration of music’s power to burn away the old world and usher in a new era.
The fact that this demo secured them a deal with a major record label speaks to the song’s immense potential.
Later featured in the video game Guitar Hero III: Legends of Rock, it’s a perfect pick when you want to feel the raw, nerve-tingling tension of ’70s hard rock.
CavortingNEW!The Courteeners

This is the debut single by The Courteeners, known as a band that carries on Manchester’s music scene that produced Oasis and The Smiths.
Its crunchy guitar riffs, driving rhythm, and provocative vocals layered over the arrangement create an unforgettable impact the moment you hear it.
The lyrics, which declare they’ll drag down the posers in the scene, are a declaration of war from their youth.
You can’t help but feel the heat of the 2000s post-punk revival in its sound.
Released in August 2007, the track served as the lead single from the classic album St.
Jude and was named NME’s Single of the Week.
It’s a number to play when you want to experience the raw, early rush of indie rock—brimming with defiance and self-belief.





