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A collection of Western songs with titles starting with 'T'

In this article, I’ll be introducing a bunch of Western songs with titles that start with “T”! When it comes to English words beginning with “T,” there are lots—like “To,” “Top,” and “Tender,” to name a few.

Many of these are actually used in song titles, and if you’re a fan of Western music, you might already have a few tracks in mind.

You might not usually search for songs that start with the same initial, but doing so could lead you to new music or fresh discoveries.

Let’s dive into the article and see what songs are out there!

A compilation of Western songs with titles starting with 'T' (211–220)

TATTOOS & Uiann dior

iann dior – TATTOOS & U (Official Video)
TATTOOS & Uiann dior

Puerto Rico-born and Texas-raised iann dior—who traverses a wide range of genres rooted in emo rap and holds an eight-week run at No.

1 on the U.

S.

charts with his collaboration “Mood” with 24kGoldn—released a track from his album CYCLES in June 2025.

The song hits home with a theme that candidly expresses memories etched like tattoos, personal transformation, and unfiltered emotion.

Produced in part by John Feldmann, known for his work with blink-182, it blends alternative rock and hip-hop into a sound that prioritizes raw feeling.

The music video, capturing everyday life in New York and scenes of getting tattooed, further highlights the song’s unvarnished appeal and leaves a strong impression.

It’s a track that seems perfect for stirring your emotions and facing yourself head-on.

The Dominant PlagueAllan Holdsworth

Allan Holdsworth, the British maverick who pursued the guitar’s possibilities to their absolute limit.

He’s renowned for his innovative playing not only in jazz fusion but also in the realm of progressive rock.

This track appears on his 1986 album Atavachron and is distinguished by its cutting-edge use of the SynthAxe at the time.

Its sound world—where Afrocentric rhythms intertwine with complex harmonies—combines a certain coolness with passion, and some even interpret its depth as hinting at social issues of the era.

The classic album Atavachron, which includes this piece, is a perfect showcase of Holdsworth’s singular artistry that transcends the boundaries of fusion.

It’s a work I especially recommend to those who want to enjoy an intellectual and thrilling exploration of sound.

The Noonward RaceMahavishnu Orchestra

The Mahavishnu Orchestra, known for pioneering the frontiers of jazz-rock.

Their debut album, The Inner Mounting Flame, released in November 1971, reached No.

11 on the Billboard Jazz Albums chart.

This piece, one of the tracks on the album, brims with intense energy.

Centered on John McLaughlin’s guitar and Billy Cobham’s drums, the performance unfolds as an innovative sound that fuses jazz, rock, and Indian music.

The complex rhythms, the tension created by shifting time signatures, and the virtuosic technique make it feel like a sonic martial art.

Famously performed with fiery intensity at the Mar y Sol Pop Festival in April 1972, this track is irresistible for anyone seeking a groundbreaking musical experience.

TrinitySnarky Puppy

Snarky Puppy – Trinity (Extended Version) (Empire Central)
TrinitySnarky Puppy

Snarky Puppy, the American music collective drawing attention with a genre-defying sound, added to their discography in 2022 an instrumental number imbued with deep respect for the land of Texas and their musical roots—an embodiment of new possibilities in fusion music.

Conceived primarily by guitarist Mark Lettieri, the piece vividly paints, through sound, the imagery of rivers flowing through their home state of Texas and the spiritual essence of the gospel music rooted there.

Beginning in hush and gradually building in intensity over roughly eight minutes, its progression is truly compelling.

The thick ensemble unique to a large band—guitars, keyboards, and horn section woven together—creates a dynamic sonic tapestry that invites the listener into a grand world.

The track first appeared as a single in June 2022 and was later included on that year’s acclaimed album Empire Central.

The album won Best Contemporary Instrumental Album at the 65th Grammy Awards, a testament to its assured quality.

It’s a must-hear for those who love expansive-scale fusion and meticulously crafted ensembles.

The Past Should Stay DeadEmarosa

Emarosa – The Past Should Stay Dead (Official Audio)
The Past Should Stay DeadEmarosa

Emerosa, formed in Kentucky, USA, has undergone a dramatic transformation since 2006—from the visceral roots of post-hardcore to alternative rock and, ultimately, an ’80s-inspired synthwave sound.

They debuted in 2007 with the EP “This Is Your Way Out,” and their albums “Relativity” and the acclaimed “Versus” reached No.

191 and No.

61 on the Billboard charts, respectively.

Though they lack a glittering awards history, the fusion of founder ER White’s guitar work with current vocalist Bradley Walden’s versatile voice has earned them high praise for their ever-evolving sound.

From raw early energy to polished pop sensibilities, their fearless evolution makes their music a strong recommendation for listeners constantly seeking something fresh.

The DaysLil Wayne & Bono

Lil Wayne, Bono – The Days (Visualizer)
The DaysLil Wayne & Bono

Lil Wayne, a leading figure in the American hip-hop scene, and Bono, the face of U2, the world-renowned rock band from Ireland—these two have teamed up on a track included on Lil Wayne’s album Tha Carter VI.

Rooted in hip-hop and elevated into an exhilarating pop anthem, the song blends Wayne’s rap—drawing on his own experiences to stress the importance of the present—with Bono’s soul-stirring vocals that celebrate the beauty of life.

It was even used as a promotional song for the NBA Finals in June 2025, where it helped amplify the excitement of the games.

It’s the kind of track that will surely give you courage when you’re taking on a challenge or looking to find brightness in everyday life.

The Right TimeMonday Michiru

Mondo Grosso’s Monday Michiru, a Japanese American artist who has led Japan’s acid-jazz scene by skillfully weaving together a wide range of genres—jazz as a foundation with touches of soul and Latin—crafted a house music track in 2007 that blends a comfortable beat with the essence of jazz and soul, embodying the very spirit of crossover.

On this song, Monday Michiru’s smooth, emotionally rich vocals align beautifully with the sophisticated arrangement, vividly evoking life’s moments of opportunity and the exhilaration of starting something new.

The track appears on the compilation album “Summer Love 2007,” and Jephte Guillaume’s remix, “Jephte’s King Street VoKal,” has also enjoyed popularity in the club scene.

Give it a listen when you want an urban, sophisticated moment or a shot of invigorating energy.