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[You can sing it in rock too!] Eikichi Yazawa’s easy-to-sing songs
After performing as a member of Carol, Eikichi Yazawa went on to create numerous classic songs as a solo rock singer.
While many admire his cool, rugged musical style, I think plenty of people also feel his songs are tough to sing because of his husky, masculine vocal tone.
For those listeners, we’ve picked out some of Eikichi Yazawa’s more singable tracks.
In addition to explaining each song, we also touch on vocal techniques, so be sure to check it out.
[You can sing it in rock, too!] Eikichi Yazawa’s easy-to-sing songs (1–10)
Dry MartiniEikichi Yazawa
From sharp, hard-hitting rock to mellow, laid-back rock, Eikichi Yazawa has a knack for turning any song into a classic.
“Dry Martini” falls into the latter category—its delicate sound arranged in 3/4 time leaves a strong impression.
Because it’s in triple meter, beginners may find the rhythm a bit tricky, but the range and sustained notes aren’t demanding, so it’s relatively easy to sing.
In fact, it often sounds just right when your voice is a little worn out, so why not try it at a second-round drinking party?
In the shade of the palmEikichi Yazawa
The song “In the Shade of the Palms,” included on the 12th album E’, features a husky vocal laid over a light, upbeat sound and rhythm, creating a soulful atmosphere reminiscent of Black music.
Its narrow vocal range and relaxed tempo make it relatively easy to sing, but be careful not to slip off pitch due to the characteristic leaps from Eikichi Yazawa’s signature shouts.
It’s a bittersweet number that’s perfect to add to your repertoire when you want to sing something cool and gritty at karaoke.
Sweet WinterEikichi Yazawa
“Sweet Winter,” a track included on ONLY ONE, the 29th album released to commemorate the 30th anniversary of the artist’s solo debut.
The spacious ensemble featuring piano and acoustic guitar, together with lyrics that paint a sentimental Christmas scene, truly moves the heart.
The melody is relaxed and the key isn’t too high, making it relatively easy to sing; however, be mindful of the sudden interval leaps and the slightly laid-back phrasing, which can easily cause you to fall out of rhythm.
It’s a hidden gem that’s perfect for karaoke in the cold season—one you’ll definitely want to add to your repertoire.
evening showerEikichi Yazawa
The track “Yuudachi,” included on the 6th album KAVACH—which also drew attention when a remastered edition was released in 2022 to mark the 50th anniversary of the debut—features a melody woven with a bluesy ensemble and a gritty, mature vocal that really sticks in your ears.
The melodic flow is quite relaxed, and the key is low with a narrow vocal range, so it should be relatively easy to sing even for those who aren’t very confident singers.
However, there’s an arrangement in the middle where the vocal feel shifts dramatically, so don’t let your guard down and keep your focus through to the end.
You in the WindEikichi Yazawa
The song “Kaze no Naka no Omae” included on the 26th album LOTTA GOOD TIME was chosen as the theme song for the sports program Nippon Challenged Athlete.
Its catchy guitar-riff intro and bouncy shuffle beat feel exhilarating.
The melody is relaxed and easy to sing, but because the vocal range is wide, set the key to suit your own voice.
Also, since it’s hard to imitate Eikichi Yazawa’s characteristic slightly laid-back vocal style, listen to the original many times to form a clear image before you sing.
TokyoEikichi Yazawa
If you’re interested in moody songs, I recommend “Tokyo.” Works like this demand rich expressiveness, yet they tend not to require powerful volume or sustained long notes.
This piece is no exception: it doesn’t call for long tones or big projection.
So even when your voice starts to tire at a second party, you should still be able to sing it comfortably.
Rather than aiming for a pristine delivery, it actually shines more with deliberately husky, slightly blurred pronunciation—give it a try.
Time, stop.Eikichi Yazawa
This work is distinguished by its smooth, gently flowing melody line and is known as a classic packed with all of Eikichi Yazawa’s charm.
The bittersweet emotions woven into the lyrics are further accentuated by the tender, standout guitar arpeggios.
Released in June 1978, it was also used in a Shiseido commercial, generating a great deal of buzz.
It became Yazawa’s first number-one hit, spending three consecutive weeks at the top of the Oricon chart.
With moderate vocal ability, you can truly enjoy this piece—perfect for those who want to savor a romantic atmosphere.