Aimyon songs that are easy to sing. Songs you can score high with at karaoke.
Aimyon is a singer-songwriter who represents the 2020s.
She has created numerous hit songs to date, including “Marigold” and “Naked Heart.”
Her songs are known for their familiar, accessible melodies and are often said to be easy to sing.
At the same time, many people feel that quite a few of her songs are hard to sing because of the low range that is one of her charms.
So in this article, we’ll introduce some of her songs that are easy to sing, focusing on factors like the familiarity of the melody lines and the breadth of the vocal range.
Practice the songs we’re about to introduce and show them off with confidence at karaoke!
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Aimyong’s easy-to-sing songs: Karaoke tracks where you can aim for a high score (41–50)
Boyfriend: yes or noAimyon
Released as the B-side to “Ai no Hana,” “Kareshi Umu” is a hidden gem that fully showcases Aimyon’s exceptional songwriting talent.
Set against Shoichi Aida’s playful, breezy guitar arrangement, it vividly captures the emotions of a man being toyed with by his lover.
The title’s wordplay—echoing “calcium”—is brilliant, and men who’ve had similar experiences will likely find themselves empathizing.
While both the chord progression and melody are simple, the song also features a slightly quirky arrangement, so it’s best to grasp the overall vibe of the track before singing it.
Aimyon songs that are easy to sing. Karaoke songs where you can aim for a high score (51–60)
Youth and youth and youthAimyon
The song “Youth and Youth and Youth,” with its languid, retro atmosphere, leaves a strong impression.
While its melody could be classified as folk, the instrumentation occasionally evokes Hawaiian music and old-school surf tunes.
The vocal line is extremely simple, with no complex rises or falls in pitch.
Since most of the song sits in the low to low-mid range, it’s easier to sing if you match the lower register rather than aiming for any higher notes.
Like this tonightAimyon
Released in 2018, “Konya Kono Mama” was the much-anticipated follow-up single to “Marigold,” the song that propelled Aimyon to nationwide fame.
It was also chosen as the theme song for the TV drama “We Can’t Become Beasts.” Centered around Aimyon’s signature light, rhythmic acoustic guitar backing, it has an approachable, classic 2000s J-pop feel that appeals to a wide audience.
While the vocal range is somewhat broad, the melody itself is straightforward without extreme jumps in pitch, making it easy to sing at karaoke and conducive to achieving high scores.
Jealousy toward catsAimyon
The song “Jealousy of the Cat” stands out with its calm melody.
Since the vocals incorporate some percussive elements, a certain sense of rhythm is required, but the overall vocal line is simple.
The challenging parts are the ad-libs in the pre-chorus and the falsetto in the chorus.
As for the pre-chorus, the ad-libs are not as demanding as authentic R&B runs and are closer in difficulty to enka-style ornamentation, so you should be able to master them with repetitive practice.
If you find the falsetto in the chorus difficult, we recommend adjusting the key to one where falsetto feels easier to produce.
Chibi ○○Aimyon
Aimyon’s signature song “○○-chan,” memorable for its distinctive title.
If you’re familiar with her early tracks, you’ve probably heard it at least once.
Although it’s an early work, it’s very close to her current musical style—while it hints at rock elements, it’s distilled into a simple vocal line.
The song has high voltage, yet it doesn’t require a wide range or long sustained notes, making it a great choice for those who struggle with vibrato or high notes.
I've always admired it.Aimyon
Among Aimyon’s songs, “Akogarete Kitanda” stands out for its uniquely striking sound quality.
By deliberately avoiding a perfectly polished master, it embraces the clipping that occurs on long sustained notes and turns it into a virtue.
In this track, the vocal line is notably rough compared to her other songs.
The range is just a bit wider, but thanks to the roughness, precise vocal control isn’t required.
Recommended for those who want to sing loudly, almost shouting.
Art of TodayAimyon
Aimyon’s classic “Today’s Art” stands out for its cool, groove-driven bassline.
While she’s known for melodies with a distinctly J-pop flavor, the bassline in this track hints at elements of American pop-rock.
One of the most singable aspects of the song is its narrow vocal range.
Although the track carries high energy, the vocal line itself is very restrained, so even those who struggle with higher notes can sing it comfortably.
The pitch is easy to grasp as well, making it a great choice for anyone who feels unsure about their singing—give it a try.