[For Women] Easy-to-Sing and Crowd-Pleasing Karaoke Songs
When you go to karaoke with everyone, don’t you sometimes wish for “songs that are easy to sing” or think, “Since I’m singing anyway, I want to pick songs that get everyone hyped”? Lately, though, it feels like there are more and more songs with very high notes or big jumps in pitch.
Even so, lots of people still want to liven up karaoke with trending hits! So this time, we’ve picked out karaoke tracks that really get the crowd going—especially ones that are easy to sing and fun to know even if you just listen along.
There are plenty of the latest songs, so be sure to check them out!
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- A must-see for low-voiced women! Popular songs that are easy to sing at karaoke
- If you’re unsure what to pick, you should definitely sing these! Recommended songs by female artists for karaoke
- [Recommended for women in their 30s] Popular and latest songs that are easy to sing at karaoke
- Songs to Help Women Sing Better: Practice Tracks for Improving at Karaoke
- Karaoke Crowd-Pleasers: Women’s Ranking [2025]
- Easy-to-sing songs recommended for women in their 20s with low voices | Also great for getting a good reaction at karaoke!
- Karaoke songs that get the party going at mixers—recommended for women
[For Women] Easy-to-sing, crowd-pleasing karaoke songs (21–30)
Alps Vibes@onefive

This is a boldly arranged take on the children’s song “Alps Ichiman-jaku”! I’d be happy if there are teens who know the original or the hand game—do you all know it? The A and B sections have no nursery-rhyme elements at all, but from the chorus the hand-clap rhythm of “Alps Ichiman-jaku” is woven in, so watch out for the shift in tempo and vibe! Keep the off-beats in mind and sing with a good groove—that’s the key! The range isn’t too low or too high, so it should be easy to sing without straining your voice.
Since the rhythm and feel change between the chorus’s nursery-rhyme part and the original sections, it might help to learn them almost as separate songs: for the nursery-rhyme part, be energetic and articulate your words clearly; for the original parts, keep the rhythm light and let it flow like natural speech.
More Berry SummerCUTIE STREET

It’s a song filled with phrases about youth, friendship, and first love, so it really resonates with teenagers and is easy to sing in your own words.
It’s also a song performed at summer festivals, with lots of live-style call-and-response moments, so it should get everyone excited at karaoke too! The melody is catchy, and the range doesn’t go too high.
Up to the chorus, it’s more about call-and-response than “singing,” so enjoy it together with everyone, and then shift your focus to “singing” from the chorus to add dynamics and really bring the song to life.
For the higher parts, try singing with the intention of projecting your voice into the distance—your voice will come out more easily, so give it a try! And since the groove is important, the best way is to sing while keeping the rhythm with your body!
[For Women] Easy-to-Sing and Hype-Up Karaoke Songs (31–40)
EdisonWednesday Campanella

They’re popular across a wide range of generations—from hardcore techno fans to more visually oriented general audiences—but if we’re talking about their most popular works, wouldn’t it have to be “Edison”? It showcases the cuteness of a female vocal to the fullest, while also conveying a certain fragile quality.
The vocal line is very feminine, but the range is not very wide at mid2B to hiC#, so definitely give it a try.
Stand on the stageYOASOBI

Surprisingly, this song modulates near the end, but instead of going higher, it drops by a semitone first and then immediately rises again.
It really feels like the meaning of the title, “Standing on Stage,” is packed into this one track! Ikura’s vocals resonate with real strength in the high notes without her having to belt.
Carrying the voice with breath rather than shouting makes the sound come out naturally and leads to that clear, transparent tone! Many of my students sing YOASOBI’s songs, so I hope all of you will give them a try, too!
chantAdo

It’s the official theme song for Universal Studios Japan’s Halloween event—the one that made the zombie dance famous! It’s an extremely challenging song packed with high-pitched shouts, low-voiced narration, and rap-style sections.
I learned it together with my students during lessons! The lyrics include some difficult words, so I recommend listening to the original track and making sure to learn it piece by piece.
The tempo is fast and you have to keep singing one line after another; if you strain too much, you’ll wreck your throat, but if you hold back too much, it loses impact.
If you use your breath properly and project a strong falsetto, you can sing it with a cool tone! Since it’s also a dance track, once you get comfortable, try swaying your body while you sing—locking into the rhythm can make it easier to produce sound and add accents.
This one definitely gets the crowd going, so even just having a rough idea of the song might be worth it!
First Love KillerNo Murasaki

Singer-songwriter Noashi, who has gained popularity with her offbeat melodies and lyrics that resonate strongly with women.
She’s known for her genreless musical style, releasing songs with a different vibe from her previous work each time.
Speaking of her signature tracks, wouldn’t it be “Hatsukoi Killer” (First Love Killer)? While the song carries a slightly retro, Showa-era feel, its fresh production keeps it from sounding outdated.
The vocals incorporate some rap, and because the range is very narrow, it’s exceptionally easy to sing.
It also goes over well at karaoke, so consider adding it to your repertoire.
FloriginalMrs. GREEN APPLE

“Floriginal,” the third track included on the single “Soranji,” was produced as a collaboration song for PARFA TUNE, a fragrance-and-music project by Fits Corporation.
Although it’s a coupling track, it reportedly has a music video as well.
The song has a very wide vocal range (A#2–D5), but when you actually listen, it mainly uses the mid-to-low range, and the highest note appears only once in falsetto just before the final chorus.
With a relaxed tempo of 100, it’s a song you can enjoy singing in chest voice.
For the chorus, try placing the accent slightly ahead of the beat at the start—pushing into it a bit helps you lock into the rhythm cleanly.
Also, be careful not to let the pitch drop too low in the low notes of the A and B sections.
Like Omori-san, raise your eyebrows firmly and sing so the sound resonates between your eyebrows!






