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Easy-to-sing karaoke songs recommended for men in their 50s

By the time you’re in your 50s, many people hold some kind of position or run a business, and social engagements tend to increase.

You probably often find yourself in situations where you have to sing at karaoke, right? Still, considering the business discussions that may follow, you’ll ideally want to avoid straining your voice as much as possible.

With that in mind, we’ve picked out easy-to-sing songs suited for men in their 50s.

These aren’t just easy to sing—we’ve also chosen them with crowd-pleasing appeal at karaoke in mind.

Be sure to check them out!

Karaoke songs that are easy to sing and recommended for men in their 50s (111–120)

Before anything else, from atop the roadThe explosively popular group “Sepia”

Issei Fubi Sepia “Dear Sir/Madam, From Above the Road” [Official]
To begin without preamble, from atop the road: Isseifubi Sepia

This track, distinguished by lively festival-like drums and flutes, weaves in themes that deeply reflect on the meaning of life and personal values through scenes of nature.

While questioning the purpose of living and our reason for being, it delivers a powerful message of courage and hope in the face of hardship.

Released in June 1984 as the debut single of Ikkyo Fubi Sepia, it reached No.

5 on the Oricon charts.

It was also used in commercials for SUZUKI’s scooter “Love THREE” and Kirin Beer’s “Kirin Shochu Tanrei Straight,” gaining popularity across a wide audience.

It’s a song that gives you the strength to face forward and keep walking when you’re at a crossroads in life, feeling lost or anxious.

I won't fall in love anymore.Noriyuki Makihara

[Official] Noriyuki Makihara “I Won’t Fall in Love Again” (Music Video) [5th Single] (1992) Noriyuki Makihara / Mou Koi Nante Shinai
I Won’t Fall in Love Anymore – Noriyuki Makihara

A signature song by Noriyuki Makihara, distinguished by its heartwarming melody that embraces both the ache of heartbreak and a brave front.

It gently portrays memories of a former lover and the nostalgia of everyday life, while the protagonist’s resolve to move forward resonates deeply with listeners.

Released in May 1992, it was chosen as the theme song for the NTV drama “After the Children Are Asleep.” Included on the album “Kimi wa Boku no Takaramono,” it became a major hit, ranking 7th on Oricon’s year-end chart.

This piece is a companion for those standing at life’s crossroads.

When you gather with friends for karaoke, its universally relatable lyrics and melody are sure to warm the heart.

Christmas songback number

back number – “Christmas Song” Music Video
Christmas song back number

This is back number’s 14th single, released in November 2015.

It was chosen as the theme song for Fuji TV’s Monday 9 p.

m.

drama “5→9: The Monk Who Fell in Love with Me” and won the Best Drama Song at the 87th The Television Drama Academy Awards, so many of you have probably heard it.

Sung by vocalist Iyori Shimizu, whose high notes are wonderfully beautiful, it may intimidate some people into hesitating to try it at karaoke after just one listen—but there’s no need to worry! It’s true that, for a male-vocal track, the original key is set quite high, but the vocal melody itself is relatively simple.

If you adjust the key to suit your range, many people should be able to aim for a high score.

There are sections with some pitch leaps, such as in the latter half of the chorus, but if you prepare in advance—practicing transitions between chest voice and falsetto and paying attention to vowel and consonant articulation in the lyrics—you can take on the challenge with confidence.

Sync Of SummerTatsuro Yamashita

Tatsuro Yamashita “Sync Of Summer”
Sync Of Summer Tatsuro Yamashita

This is Tatsuro Yamashita’s 53rd single, released in July 2023.

It was reportedly written specifically as a song for Kirin’s “Gogo no Kocha” (Afternoon Tea) commercial.

When you think of summer, you think of Tatsuro Yamashita!! That image, combined with the song’s title, makes this a summer anthem overflowing with his signature style that truly evokes the season.

The melody crafted with that trademark Yamashita touch doesn’t span a particularly wide vocal range, so it should be very easy to sing even for people who don’t usually sing much.

Throughout the song, it feels best not to overemote—sing it a bit bluntly, with a touch of nonchalance.

Thank youKeisuke Kuwata

Keisuke Kuwata / Thank You by Tomi-san
Thank you, Keisuke Kuwata

It’s a song that reflects on the scenery of one’s hometown and the people who supported you there, speaking heartfelt gratitude straight from the heart.

It was included as the closing track on the 2002 album “ROCK AND ROLL HERO.” It has been said that the song was written with feelings for Chigasaki—a place of great importance to Keisuke Kuwata—and with thanks to the people involved.

The gentle, piano-centered arrangement paired with expansive, expressive vocals is memorable, evoking the warmth of a choral piece.

Imagining a choral singing style that delivers the words plainly and directly should make it easier to sing.

Sad personMasatoshi Nakamura

A classic by Masatoshi Nakamura that moves the heart with its warm yet sorrow-tinged melody and poignant lyrics.

Released in August 1999 and used as the theme song for the drama “Metropolitan Police Department Forensics Unit,” this gentle ballad is crafted to profoundly resonate with listeners.

Its highly message-driven lyrics, which offer solace to those confronting sadness and loneliness, strike a deep chord.

With a moderate vocal range and few long sustained notes, it’s an approachable choice even for men in their 50s who aren’t confident singers.

Precisely because this generation often stands at life’s crossroads, the song may offer courage and hope.

YAH YAH YAHCHAGE and ASKA

[MV] YAH YAH YAH / CHAGE and ASKA
YAH YAH YAHCHAGE and ASKA

This is the 31st single by CHAGE&ASKA (now CHAGE and ASKA), released in March 1993.

It was used as the theme song for the Fuji TV Wednesday drama series “If You Turn Around, He’s There,” starring Yuji Oda, and became a huge hit, recording double million sales.

The slightly wild lyrics are also memorable, aren’t they? When singing it at karaoke, I don’t think there are any particularly difficult parts in terms of melody or rhythm, but please sing the high notes in the chorus powerfully, doing your best not to lose vocal brightness.

Since the chorus has a refreshing sense of openness, try to sing with as little constriction in your voice as possible.