Easy-to-sing karaoke songs recommended for men in their 50s
By the time you’re in your 50s, many people hold some kind of position or run a business, and social engagements tend to increase.
You probably often find yourself in situations where you have to sing at karaoke, right? Still, considering the business discussions that may follow, you’ll ideally want to avoid straining your voice as much as possible.
With that in mind, we’ve picked out easy-to-sing songs suited for men in their 50s.
These aren’t just easy to sing—we’ve also chosen them with crowd-pleasing appeal at karaoke in mind.
Be sure to check them out!
- [In Their 50s] Ranking of Easy-to-Sing Karaoke Songs [2025]
- [2025] Recommended Japanese songs for karaoke for men in their 50s
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- Karaoke songs that are easy to sing—even for those who aren’t confident singers—recommended for men in their 40s
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- Karaoke songs in Japanese that are easy for men in their 40s to sing
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- Japanese karaoke songs that are easy for men in their 60s to sing
- [For Men in Their 40s] A Collection of Songs That Score High at Karaoke [2025]
- [For People in Their 40s] Ranking of Easy-to-Sing Karaoke Songs [2025]
Easy-to-sing karaoke songs recommended for men in their 50s (131–140)
Goodbye to sorrowSafe zone
This is one of Anzen Chitai’s signature songs, noted for its seductive vocals and gentle, soothing sound.
In 1985, the band made their first appearance on the Kōhaku Uta Gassen with this song, and its many cover versions by other artists attest to its enduring popularity.
While Koji Tamaki’s alluring vocal tone may make the song seem challenging to sing, its slow tempo and relatively moderate melodic range are key points to focus on.
It’s important to sing with care for the lyrics’ message—gently, with emotion, as if conveying the story from the heart.
SUMMER SUSPICIONKiyotaka Sugiyama & Omega Tribe
Omega Tribe was a band that enjoyed major success from the early 1980s to the early 1990s.
Like Southern All Stars and TUBE, they’re known for having many summer songs.
Before their debut, they changed their name to Kiyotaka Sugiyama & Omega Tribe and left behind many classic tracks.
SUMMER SUSPICION is their debut work.
While it has a refreshing vibe, it also conveys a mature atmosphere.
The song has a somewhat wide vocal range, but the melody line itself is Showa kayō-style and fairly simple.
Men in their 50s who don’t find the mid-to-high range taxing should definitely give it a try.
Goodbye, TearsMasayuki Suzuki
Masayuki Suzuki released a full cover album titled “DISCOVER JAPAN III.” It features many classic songs, but the easiest to sing among them is “Namida-kun Sayonara.” The song was originally released by Kyu Sakamoto in 1965.
While the original gives a gentle, tender impression, the cover version is performed with a powerful, R&B-like vocal style.
That said, it preserves the charm of the original.
Try listening to the original and the cover side by side to note the differences and practice.
MonicaKoji Yoshikawa
This was Koji Kikkawa’s debut single, released in February 1984.
Listening to it now, I can’t help but grin—it’s produced with such a hilariously strong 80s vibe.
His fashion, too, is pure 80s, pure bubble era.
I’m sure many people now in their 50s copied his hairstyle and fashion back then.
It’s a precious track that brings back memories of those fun times.
Even if you haven’t been to karaoke in ages, why not recall those days, sing it, and have some fun?
HouyouShinichi Kawaharada
This is the sixth single overall by Shinichi Kawaharada, who is active as an actor, released in December 2020.
The warm, embracing melody of “Hōyō” gently envelops listeners.
Its universally approachable style suits any singer, making it a sure bet to grow in popularity as a karaoke staple.
Sing it with heart, and you’ll naturally feel a sense of connection with those around you.
Drawn in by Kawaharada’s sincere vocals, singing along will even help you forget the fatigue of everyday life.
Why not hum this easygoing tune and let your usual stress melt away? It’s a song that will remind you of the pure joy of singing.
The Beatles I saw were inside the TV.Kazuyoshi Saito
It’s a message song that sings, with both irony and sincerity, about one’s feelings toward the era they live in—an honest, true-to-life piece.
“The Beatles I Saw Were on TV” is the debut single, released in 1993.
After appearing on the music audition program “Saturday My Family’s TV: Yuji Miyake’s Tenka Gomen ne!”, Saito won the right to make a major-label debut, and this was the track that came out of it.
The song carries a bittersweet mood, yet somehow leaves you feeling refreshingly clear at the end.
It’s a male-vocal number, but I think it’s easy for women to sing as well.
lipsGLAY
An erotic number that captures both aching infatuation and passionate love.
Swept up by irresistible desire, the protagonist’s heart grows increasingly unsettled by feelings for their partner—expressed powerfully against GLAY’s signature, high-velocity sound.
The striking guitar riff and melody sung in a higher key further accentuate the emotions swirling within.
Released in May 1997, the song was used as the ending theme for Fuji TV’s “HEY! HEY! HEY! MUSIC CHAMP” from April to June of the same year, and became a major hit as the band’s first Oricon No.
1.
It’s the perfect track for cranking up the energy with friends at karaoke or letting your feelings out.