I want to sing at karaoke! Songs by male artists recommended for Gen Z
Do you have a go-to setlist for karaoke?
In the ever-evolving J-pop scene where countless new songs are released every day, it’s tough to always learn the latest tracks and sing them.
So this time, we’re introducing karaoke songs by male artists that we recommend for Gen Z!
Since these are all hit songs, they should come in handy no matter who you’re going to karaoke with.
Because we chose well-known tracks, some of them are challenging to sing—but that’s exactly why, if you can pull them off, you’ll be a hero for sure!
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Songs by male artists Gen Z will want to sing at karaoke (21–30)
accent colorBialystocks
The song “Sashi-Iro,” featured in the Namacha commercial, is a classic by the band Bialystocks, who had been drawing attention since their indie days, and it saw a revival hit thanks to the ad.
The real charm of the track lies in the chorus.
The falsetto that unfolds from the gentle vocals is incredibly soothing and brings an indescribable sense of bliss.
Beyond the pleasing high notes, the subtle touches of Black music influence are another key appeal of this song.
Be sure to check it out.
giftRADWIMPS
RADWIMPS’ new song “Tamamono.” This track quickly gained recognition after being chosen as the theme song for NHK’s morning drama series “Anpan.” It’s a piece that mixes rock and J-pop in classic RADWIMPS fashion, but the chorus is a bit unusual.
In the chorus, there’s a phrase that repeatedly alternates between falsetto and chest voice.
While it doesn’t reach extremely high notes, it’s a perfect song for enjoying the charm of high-register vocals.
CYMBillyrrom
Formed in Machida, Tokyo, Billyrrom is a new-generation six-piece whose pop music—built on a background of R&B, soul, and funk and crafted with a refined sound—has been drawing major attention both in Japan and abroad.
On the verge of a big breakthrough, they’ve delivered another standout with their single “CYM,” released in March 2025, which seems poised to propel their momentum even further.
Chosen as the theme song for the drama “MADDER: I Am the Culprit,” the track’s groovy urban funkiness, city-pop atmosphere, and sultry melodies showcase a sensibility that effortlessly transcends the boundary between Japanese and Western music.
At the same time, it surprisingly retains the punchy dynamics of J-pop, making it an accessible and superb pop tune—one you’ll definitely want to try singing at karaoke.
presentMarcy
A warm ballad by Marcy that strikes the heart with its straightforward expression of love.
The lyrics, crafted by Yukyo Yoshida, single-mindedly wish for the other person’s happiness, like a gift itself for someone dear.
The gentle tones of the acoustic guitar and the enveloping vocals highlight the tenderness found in everyday life.
Released in September 2024, this heartwarming song resonates not only with lovers, but also with thoughts of irreplaceable people like family and friends.
Sing it at karaoke, and it will surely wrap the listeners’ hearts in warmth.
Eine KleineKenshi Yonezu
This song, notable for its gentle acoustic guitar tones, is included on Kenshi Yonezu’s album YANKEE.
Released in April 2014, it delicately portrays the joy of meeting someone precious intertwined with a poignant sense of sadness, along with feelings that defy words.
It was also used in a Tokyo Metro commercial, marking Yonezu’s first tie-in work.
If you can master conveying these complex emotions, you might just captivate everyone at karaoke.
PredatorAKASAKI
Starting her career as a singer-songwriter at the young age of 16, AKASAKI skyrocketed to fame when her 2024 release “Bunny Girl” became a massive viral hit.
Her songs, woven from the fresh sensibility unique to a teenager, a mature perspective, and outstanding songwriting talent, are all remarkable—so much so that not only her peers but also working adults in their 20s and beyond will find themselves wanting to sing them at karaoke.
The same goes for “Predator,” released in May 2025: it’s a killer tune that showcases AKASAKI’s signature taste, deftly blending a J-pop vibe reminiscent of the early Heisei era with a stylish, 2020s feel.
Its catchy hook will have you humming along after just one listen.
When singing it at karaoke, try delivering it lightly without overexerting, but avoid sounding too flat—be mindful of your breathing spots and aim for a smooth, flowing performance!
412KEIJU
KEIJU, known as a member of the hip-hop group KANDYTOWN that enjoyed massive cross-genre popularity from 2010 through the early 2020s, has released his first new album in about five years, N.
I.
T.
O.
, in May 2025, drawing a lot of attention.
The track 412, introduced here, is included on the album and stands out for its mellow, ennui-tinged vibe.
With melodic, Auto-Tune–infused vocals and lyrics that appear to quote KOHH’s classic John and Yoko, it’s a masterful song brimming with his signature taste.
As mentioned, the rap leans melodic, so if you like song-driven hip-hop, be sure to add this one to your repertoire.