Have you ever wondered what exactly people mean by “modern jazz,” a term you often hear within jazz? If you’re new to jazz and have that question, you’re not alone.
Modern jazz generally refers to the period spanning from “bebop,” which emerged in the mid-to-late 1940s, to modal jazz, which appeared in the late 1950s.
You could even call modern jazz the classic, mainstream form of jazz, and many of the genre’s most iconic albums and songs were created during the modern jazz era.
In this article, we’ve put together a selection of great modern jazz tunes.
If you’re thinking of giving jazz a listen, this is the perfect chance to check them out!
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Waltz For DebbyBill Evans
Even people who don’t usually listen to jazz have probably heard the name Bill Evans.
He’s known as the musician who brought rhythmic piano melodies into jazz.
His bright, uplifting melodies—so different from the quieter piano performances that came before—won the hearts of many, and they continue to influence today’s pianists.
One of his pieces, recorded in 1961 at the famed Village Vanguard, is “Waltz for Debby.” It’s also recommended for anyone who wants to experience the atmosphere of a jazz club from that era!
Take FiveDave Brubeck
There are many famous pieces in the world of jazz, aren’t there? Do you know which single sold the most among them? In fact, it’s a piece called “Take Five.” It’s often used on Japanese TV programs, so many of you have probably heard it.
The track was performed by the Dave Brubeck Quartet, a jazz group of three—though the composition itself was written by member Paul Desmond.
The biggest feature of this piece is its 5/4 time signature.
Because this tempo is so unusual, the recording was said to be extremely challenging.
If you’re interested, give performing it a try.
So WhatMiles Davis
If there is one person indispensable to any discussion of modern jazz, it would be Miles Davis.
He was a trumpeter known as the “Prince of Darkness” and the “King” of modern jazz.
The best way to appreciate his appeal is simply to listen to his music.
A top recommendation is “So What,” the first track on the 1959 album Kind of Blue.
As the opener, it’s crafted to build anticipation for what’s to come, with a rhythmic, inviting feel.
When you listen to “So What,” try experiencing it within the album as a whole—you’ll get a deeper sense of Miles Davis’s distinctive world.
Giant StepsJohn Coltrane
Known as a milestone of modern jazz, this piece is characterized by its complex harmonies and rapidly shifting chord progressions.
It was included on the 1960 Atlantic Records album “Giant Steps,” and it was the first project John Coltrane produced as a leader after signing with the label.
Drawing on Coltrane’s 1957 collaboration with Thelonious Monk, the piece broke new ground in jazz and stands as an innovative work.
It’s highly recommended for those deeply interested in jazz history and for musicians seeking a technical challenge.
My Funny ValentineChet Baker
In the world of modern jazz, there was a star with idol-like appeal who captivated fans with his sweet looks: Chet Baker.
Because of his handsome features, he was nicknamed the “Prince of Cool.” He was also famous not only as a trumpeter but as a vocalist as well.
His biggest hit was My Funny Valentine, a cover of the song of the same name released in 1937.
Originally written for a musical, the song features highly narrative lyrics.
Days of Wine and RosesOscar Peterson
Oscar Peterson is a great pianist who received the International Jazz Hall of Fame Award.
His performance skills are said to be unmatched by anyone.
He is also known for the story that, even though his left hand became impaired later in life, he continued to perform.
For those who want to experience his appeal, I recommend “Days of Wine and Roses.” Just by listening, you can tell he uses more keys than usual.
Many artists, including Bill Evans, have performed this piece, so it’s also fun to compare different versions.
Cool Struttin’Sonny Clark
Among jazz albums, Cool Struttin’ is often praised for boasting one of the most star-studded lineups.
The album was primarily led by pianist Sonny Clark, and features collaborations with heavyweights hailed as legends of the jazz world, including Miles Davis and Jackie McLean.
A particular recommendation is the title track, Cool Struttin’.
Within its slow tempo, the subtly deployed techniques are nothing short of breathtaking.