The Royal Road of Jazz: Classic modern jazz masterpieces. Popular tracks you should listen to at least once.
Have you ever wondered what exactly people mean by “modern jazz,” a term you often hear within jazz? If you’re new to jazz and have that question, you’re not alone.
Modern jazz generally refers to the period spanning from “bebop,” which emerged in the mid-to-late 1940s, to modal jazz, which appeared in the late 1950s.
You could even call modern jazz the classic, mainstream form of jazz, and many of the genre’s most iconic albums and songs were created during the modern jazz era.
In this article, we’ve put together a selection of great modern jazz tunes.
If you’re thinking of giving jazz a listen, this is the perfect chance to check them out!
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[The Royal Road of Jazz] Classic modern jazz masterpieces. Popular tracks you should listen to at least once (41–50)
Lament For A Fallen Matadorjim hall
The original piece is Albinoni’s Adagio from Baroque music.
I’m not sure whether jazz has an affinity with Baroque music, or whether at the core of Western people there exists “sin,” “sorrow,” “melancholy”—a kind of deeply serious sense of dejection.
But melancholy does move the human heart.
It’s a strange thing.
And the tone of Art Farmer’s flugelhorn, as if gently placing a hand on your shoulder, brings tears to the eyes.
Blues For MilesFreddie Hubbard
It’s a fairly recent piece.
Strictly speaking, it isn’t modern jazz, but it’s no exaggeration to say that modern jazz equals Miles Davis.
This is a tribute to Miles Davis.
It feels like a work that traces the history Miles traveled—blues, bebop, modal, free, and electric.
A track that showcases jazz’s flexibility.
Some might even call it chimera-like music.
Organ Grinder SwingJimmy Smith
The title track of Organ Grinder Swing, the album released in 1965 by pioneering jazz organist Jimmy Smith, is a lively, danceable number.
Showcasing Smith’s brilliant Hammond B-3 organ work, this captivating piece deftly fuses elements of blues and jazz.
The interplay with Kenny Burrell on guitar and Grady Tate on drums is another highlight.
A popular release, it reached No.
15 on the U.
S.
Billboard 200 and stayed on the chart for 31 weeks.
It’s also recommended for jazz beginners—a track that lets you savor the essence of jazz in a relaxed atmosphere.
Desmond BluePaul Desmond
“My, my, it seems you’ve wandered in from somewhere,” you can almost hear someone say—the jacket features the enigmatic profile of a woman.
Because so much breath is blown into the saxophone, it sounds as if the woman is sighing.
An Asian, exotic melody.
Superb orchestration.
Not just as jazz, but musically it is of exceptionally high caliber.
You can picture a long cigarette holder and bluish-purple smoke.
Mox NixArt Farmer
“I’m not scary, you know.” That’s the look on this Art Farmer gem.
The face on the jacket is rugged, but the flugelhorn’s tone is gentle.
A groovy, super-swinging rhythm.
The face stands out more than the music, but it’s an intensely lyrical, mellow track.
This is irresistible.
Seriously.
Lotus BlossomKenny Dorham
“Read the room, create the room.
That’s Kenny.” He isn’t very popular in Japan, but he’s well-liked back in the U.
S.
He’s a highly musical, talented player who’s adept at presenting a dramatic arc—like a story with a beginning, development, twist, and conclusion.
I think you’ll understand when you listen to him perform: Kenny, as the frontman, is the one creating the groove—the flow.
Blue ‘N’ BoogieDizzy Gillespie
Known as a masterpiece that fuses bebop and blues, this piece is highlighted by Dizzy Gillespie’s vivid trumpet.
Composed in 1944 and recorded on February 9, 1945, it is deeply etched in the history of jazz.
Its swinging rhythms and energetic performance are irresistibly captivating.
After its release, it was covered by many jazz musicians and established itself as a standard number.
It’s recommended not only for jazz enthusiasts but also for anyone eager to explore a new musical world.
Ride the lively boogie-woogie rhythm and fully savor the charm of jazz!