The Royal Road of Jazz: Classic modern jazz masterpieces. Popular tracks you should listen to at least once.
Have you ever wondered what exactly people mean by “modern jazz,” a term you often hear within jazz? If you’re new to jazz and have that question, you’re not alone.
Modern jazz generally refers to the period spanning from “bebop,” which emerged in the mid-to-late 1940s, to modal jazz, which appeared in the late 1950s.
You could even call modern jazz the classic, mainstream form of jazz, and many of the genre’s most iconic albums and songs were created during the modern jazz era.
In this article, we’ve put together a selection of great modern jazz tunes.
If you’re thinking of giving jazz a listen, this is the perfect chance to check them out!
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[The Royal Road of Jazz] Classic modern jazz masterpieces. Popular tracks you should listen to at least once (41–50)
MemoryToshiko Akiyoshi

When it comes to modern jazz, are there really no famous musicians besides Americans? That’s not the case.
There is one Japanese musician—Toshiko Akiyoshi.
Despite being a woman, she ventured to the United States on her own.
The album containing this piece is so outstanding that it was nominated for a Grammy.
It blends an East Asian pentatonic sensibility with jazz, resulting in a highly original work.
Please give it a listen.
The Royal Road of Jazz: Modern Jazz Masterpieces. Popular Songs You Should Hear at Least Once (51–60)
A Love SupremeJohn Coltrane Quartet

It’s “A Love Supreme” by John Coltrane, the “philosopher who plays.” Though it’s a single piece that incorporates classical elements, it’s structured in four movements.
It’s practically the poster child for the idea that “jazz = difficult.” If you ask jazz fans whose music they recommend, many will answer “Coltrane,” so the moment someone hears this most famous piece, they’re almost certain to come away with a mistaken impression.
BebopDizzy Gillespie

A tune by the other father of bebop technique, “Professor Frog,” Dizzy Gillespie.
Back then, players who belonged to big band swing ensembles would, after finishing their gigs, start small-combo jam sessions at bars to test their chops against one another.
That’s the origin story of what we now call modern jazz.
Everything began with this style.
MistyErroll Garner

As a modern jazz classic, this piece has continued to be loved across generations.
With its enchanting melody and beautiful harmony, it captivates listeners and never lets go.
Since its composition in 1954, it has been covered by many artists and even featured in the film “Play Misty for Me,” a testament to its widespread appeal.
The delicate yet powerful touch of jazz piano master Erroll Garner beautifully conveys both the poignancy and joy of love.
It’s a perfect choice when you want to savor a romantic mood or spend a peaceful moment.
Even those new to jazz should give it a listen at least once.
The CatJimmy Smith

“Sneaking on tiptoe”—you can feel the playful goings-on of the cats.
It’s the very epitome of organ (Hammond) jazz.
In the crossover era, Jimmy’s playing wasn’t bebop technique; he stuck, through and through, to “driving it home with the blues scale.” In America, jazz musicians are slangily called “cats.” It’s a wonderful melody that expresses the musician’s way of life.
With a cheeky “no way the wholesaler’s cutting a deal” vibe, it’s a comical, earthy tune I absolutely love.
Work SongNat Adderley

Do you know the instrument called the cornet? It’s a trumpet-like instrument often used in jazz.
One of the most famous cornet players is Nat Adderley, and one of his signature tunes is “Work Song.” In Japan, many people associate the song with Tamori singing it.
In fact, the piece originally didn’t have lyrics; they were added later, and Tamori performs a parody version of those lyrics.
I hope this gives you a chance to discover the charm of the original “Work Song,” too.
Song for My FatherHorace Silver

A moving love letter dedicated to the father of jazz.
Known as one of Horace Silver’s signature works, this piece is a gem infused with deep love and respect for his father.
Its melody, skillfully incorporating elements of Latin jazz and bossa nova, gently envelops the listener.
Released in 1964 as the title track of the album of the same name, it has since been cherished by many jazz musicians.
The sound world woven by Silver’s piano touch and the band members’ exquisite performances offers pure bliss.
It’s a recommended track for moments when you want to reflect on memories with your father or listen with gratitude for someone special.





