[High-pitched warning!] Songs with high notes that are hard to sing
The Japanese music scene is known for having a relatively low emphasis on groove, but an unusually large number of high-pitched songs.
In particular, since Japan has finally started earnestly incorporating overseas music in recent years, the overall level of songs has risen dramatically.
With that in mind, this time we’ve picked out Japanese songs that are on the higher side.
From songs with a wide vocal range, to tracks that have pinpoint high parts, to songs that stay in the high register throughout, we selected from a broad set of perspectives—so be sure to find the tracks that suit you!
- Recommended karaoke songs for male vocalists with high voices
- S-Rank Difficulty!? A Compilation of Songs with Wide Vocal Ranges
- I want to sing songs that use a lot of falsetto—tracks that are also good for practicing falsetto at karaoke.
- Recommended for great singers! A collection of impressive songs if you can sing them
- [If You Can Sing These, You're Amazing!] Cool Karaoke Songs for Women
- For those confident in their singing ability: Challenging songs to try at karaoke!
- [Karaoke] A roundup of songs that are easy for women to sing!
- Recommended for teenage girls! Easy-to-sing karaoke songs
- [Challenge] A Compilation of Anime Songs with High-Pitched Melodies and High-Tone Vocals
- [For Women] A roundup of enka songs that can score high in karaoke
- Great for karaoke song selection! Recommended easy-to-sing songs for Gen Z women
- [Karaoke] Songs That Make It Easy to Score High | From Classics to the Newest Hits
- [For Teenage Girls] A Collection of Songs That Score High at Karaoke [2025]
[High Notes Warning!] Very High-Pitched Songs That Are Hard to Sing (211–220)
Just a little moreYOASOBI
A digital-only single by YOASOBI released on May 10, 2021.
It was selected as the 2021 theme song for Fuji TV’s “Mezamashi TV.” I’m not sure if that tie-in led to the selection, but the track itself is crafted as a light, upbeat song that conveys the fresh feeling of a morning breeze.
What further accentuates the song’s “freshness” is Ikura’s vocals.
Her voice has a charming, girlish quality that’s truly wonderful.
The melody line doesn’t seem to include any extremely low parts, so it’s probably an ideal pick for higher-voiced women to sing at karaoke.
That said, since Vocaloid producer Ayase handled the production, the original audio applies what sounds like fairly strong pitch-correction effects, so despite being live vocals, many parts come across a bit Vocaloid-like.
Still, it’s best not to overthink that when singing—after all, that’s the one thing you can’t really replicate with live vocals!
A Song That Wants to ChangeMao Abe
This is Mao Abe’s 16th single, released in 2018 as the opening theme for TV Asahi’s nationwide program “music-ru TV” for the month of November.
With its outstanding sense of speed and great groove, it’s sure to get everyone pumped up at karaoke!
Sad Girl Sex feat. Hatsune MikuDECO*27
DECO*27 is one of Japan’s leading Vocaloid producers.
In addition to his catchy musicality, his wide-ranging style that can handle any genre has earned strong support from many Vocaloid fans.
Among his tracks, the one I especially recommend is Sad Girl Sex feat.
Hatsune Miku.
The title is quite adult, and the vocal line is similarly mature.
While it doesn’t have flashy technical hurdles, the pitch jumps are intense and falsetto appears frequently, making it a sufficiently challenging song.
DAITAN !miwa
This is the 27th single by Japanese singer miwa, released on September 9, 2020.
It also served as the theme song for the drama “Yokai Share House.” The song is fascinating, with rapid and dynamic developments, and the semi-spoken B-melody is particularly striking.
In the chorus, she showcases powerful high notes, making it a great choice for high-register female singers at karaoke to bring out their full appeal.
As for the semi-spoken parts mentioned earlier—there’s a slightly rap-like feel to them—don’t be shy; immerse yourself in the world of the song and it will come together even better! When you sing it, be sure to pay close attention so you don’t fall behind the rhythm.
Stay closest to me.Maki Ohguro
Featured in a commercial jingle for Meiji’s “American Chips,” it became a hot topic! It’s also known as the song Maki Ohguro performed as the opening number at her first live concert.
With its upbeat sound, it’s a song that feels great to sing.
Released in 1995 as Maki Ohguro’s 11th single.
MikazukiSanketsu Shoujo Sayuri
This is Sayuri’s major-label debut single, released on August 26, 2015.
It was used as the ending theme for the Fuji TV anime Rampo Kitan: Game of Laplace.
The song was crafted to make the most of Sayuri’s slightly high-pitched voice, making it an ideal karaoke choice for women with a similar vocal quality.
When performing it, it’s best to sing with a technique that emphasizes higher overtones as much as possible.
BiscuitCHANMINA
Chanmina is a female rapper who enjoys overwhelming support from women.
She’s not only a rapper but also excels in vocal ability, consistently delivering high-level performances that turn into hits.
Among her songs, the one I especially recommend is Biscuit.
For the most part, it doesn’t venture into high notes; it’s largely composed around the mid to low register.
However, the C section is different.
There’s a part where she uses a powerful mixed voice on a sustained note, making the momentary difficulty extremely high.