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Japanese karaoke songs that are easy for men in their 60s to sing

This time, we checked out Japanese songs that are easy for men in their 60s to sing at karaoke! They’re known for being generally easy to sing, with comfortable pitch, tempo, and volume.

They could make a great addition to your repertoire.

Take this opportunity to use it as a reference!

Japanese karaoke songs that are easy to sing for men in their 60s (111–120)

CheersTsuyoshi Nagabuchi

Composed for a friend’s wedding and released as the title track of the third album, “Kanpai.” In addition to the original version, its inclusion in elementary school music textbooks and the many cover versions by various artists have made it a signature song loved by listeners across generations.

With a very relaxed tempo and a simple melody, anyone can sing it comfortably by setting it to a key that suits their voice.

It’s a heartwarming number that will get everyone excited when sung together at karaoke after an event.

cicadaTsuyoshi Nagabuchi

This song portrays a man who, regretting his own weakness, strays onto a crooked path.

The “cicada” referenced in the title is used strikingly, evoking the sense of staking one’s life on a fleeting moment.

The powerful interplay between acoustic and electric guitars conjures the image of flames blazing in the heart.

Set to a rhythm that feels like a strong, steady stride, the lyrics are delivered with clear, deliberate enunciation—an approach that not only makes the song easier to sing but also amplifies its message.

Stay 19 forever

This song portrays emotional currents that are more than just regret over the passing of one’s youthful school days.

It’s included on the 1986 album “J.

BOY.” The acoustic guitar tones and layered choruses emphasize a refreshing atmosphere and warmth.

The lightness of the vocals also seems to evoke a sense of youth, doesn’t it? The gentle tempo, which invites a slow look back on memories, makes it easy to sing—so try performing it while savoring those recollections.

My Dear EllieSouthern All Stars

[Masterpiece] Itoshi no Ellie / Southern All Stars [Full Lyrics Included] [covered by Yuki Kuroki & Tomotaka Suzuki]
My Beloved Ellie - Southern All Stars

This song, also known for being covered by the great American artist Ray Charles, was released by Southern All Stars in 1979.

It’s said that before their marriage, Kuwata wrote it for Yuko Hara as a way of saying “I’m sorry.” It’s such a classic that virtually everyone knows it, so be sure to add it to your repertoire.

summer vacationTakuro Yoshida

Summer Vacation by Takuro Yoshida
Summer Vacation Yoshida Takuro

This song portrays someone reminiscing about childhood summer vacation memories and basking in nostalgia.

As one of Takuro Yoshida’s signature works, it has been released in various versions and covered by many artists as a song that sings of the Japanese summer.

The expansive, layered sound evokes the feeling of casting one’s thoughts into the distance, further emphasizing its nostalgic mood.

With relatable lyrics delivered gently over a simple melody, it leaves a strong impression and, with a light touch, should be quite singable.

I look up as I walkKyu Sakamoto

Walk looking up Sakamoto Kyu — with lyrics
I Look Up as I Walk by Kyu Sakamoto

A song distinguished by its buoyant melody and heartwarming lyrics.

It carries a positive message that encourages you to keep moving forward even in tough times, and it continues to resonate with many people.

Released in 1961, it became a huge hit not only in Japan but also overseas.

In the United States, it became known as “Sukiyaki” and reached No.

1 on the Billboard Hot 100.

With a modest range that makes it easy to sing and suitable for a wide variety of voices, it’s also a popular choice for karaoke.

As a timeless classic loved across generations, why not add it to your repertoire? Sing it with your own feelings, carried by Kyu Sakamoto’s warm vocals.

TokyoEikichi Yazawa

If you’re interested in moody songs, I recommend “Tokyo.” Works like this demand rich expressiveness, yet they tend not to require powerful volume or sustained long notes.

This piece is no exception: it doesn’t call for long tones or big projection.

So even when your voice starts to tire at a second party, you should still be able to sing it comfortably.

Rather than aiming for a pristine delivery, it actually shines more with deliberately husky, slightly blurred pronunciation—give it a try.