Mobile phone commercial songs. CM songs for smartphones and mobile carriers.
When you watch TV, you see commercials for carriers and smartphones almost every day, right?
There are all kinds of mobile-related commercials on air—ranging from stylish visuals to friendly, down-to-earth presentations—each tailored to a specific brand image.
In this article, we’ll introduce all the songs used in those mobile-related commercials at once!
From cool tracks to approachable tunes, a wide variety of music is featured, and many of you have probably wondered, “Whose song is that?”
We’ll go through them by carrier and by smartphone, so try finding the track that caught your ear in a commercial.
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Cell phone commercial songs. Smartphone and mobile carrier commercial songs (41–50)
Roll The CreditsDanielle Ponder
Apple’s commercial “Slow-Motion,” which introduces the slow-motion filming features of the iPhone 16 Pro.
It showcases the ability to shoot 4K slow-motion video at 120 fps with powerful slow-motion footage that surely captivated many viewers.
The song featured in this commercial is “Roll The Credits” by American singer Danielle Ponder, who debuted in 2022.
Its deep bassline, laid-back beat, and vocals drenched in reverb are striking, creating an almost mystical atmosphere.
Mobile phone commercial songs. Smartphone and mobile carrier CM songs (51–60)
fateTani Yuuki
A must-see commercial for music fans is the Xperia 5 IV × Tani Yuuki special movie.
It portrays the lives of people using smartphones, with an a cappella version of “Unmei” sung by Tani Yuuki playing in the background.
The lyrics, overflowing with a sense of happiness, seem to speak for the feelings of the characters.
POKÉDANCENanahira
This is a SoftBank commercial collaborating with “POKÉDANCE,” which was released on Pokémon Day 2024 and inspired tons of dance videos on social media.
It’s an ad for SoftBank Hikari and SoftBank Air internet services, featuring an adorable performance where Pikachu dances to a parody version of “POKÉDANCE.” Many Pokémon fans were surely smitten by the cute presentation.
DIVALittle Glee Monster
This dramatic portrayal of a girl drawing on an iPad is a commercial for the DoCoMo Mirai Museum.
It effectively conveys how having an iPad enables easy yet professional creative work.
The bright, upbeat song playing in the background is Little Glee Monster’s “DIVA.” The track is said to be themed around a bright future, and that concept comes through in both the tone and the lyrics.
Seikai-chan and Kafu-chan’s Errand CapriccioSouth of South
This is a SoftBank commercial introducing a “god-tier fast-charging” smartphone that charges faster than ever.
The ad features Maika Sasaki from the idol group =LOVE and Hitomi Suzuki from ≠ME.
Just before heading out, Suzuki realizes her phone has no battery, but the spot highlights the charging speed by showing it fully charge while she dances.
The background music is the Vocaloid track “Seikai-chan and Kafu-chan’s Errand Rhapsody,” produced by Minami no Minami, which pairs perfectly with the visuals and concept.
The song has a brisk, bustling tempo and an adorably charming vibe.
Kagemusha (body double/decoy)2CELLOS
2 CELLOS is a handsome cellist duo from Croatia.
Their tightly synchronized, intense performances electrified audiences around the world.
In Japan, they were so popular that it felt like you saw them in the media every day.
This is “Kagemusha,” the track that drew attention when it was used in the DoCoMo “Two Top” commercial in which they actually appeared.
They play the cello—normally a string instrument—as if it were a percussion instrument, with fierce energy.
They create a fresh sound with an instrument strongly associated with classical music.
It’s a very cool track that showcases the duo’s genre-defying performance.
Heaven and HellJacques Offenbach
Titled “Family Smart Race,” this series of commercials from Docomo showcases the convenience of smart devices like tablets, smartwatches, and wireless earbuds.
In each ad, the Suzuki family—adept at using smart devices—competes against the Sato family, who only have a smartphone.
The Suzukis win every match, but the Satos still look like they’re having fun, which is quite heartwarming.
The background music is an arrangement of ‘Infernal Galop’ (commonly known as ‘Offenbach’s Can-Can’), a staple at school sports days.