Karaoke songs recommended for men with low voices or who are good at singing in a low register
In recent years, Japan’s music scene has seen an increase in songs with lots of high notes, influenced by K-pop.
As a result, it’s become harder for men with lower voices to find songs that suit them.
So! We’ve selected recommended tracks specifically for men with deep voices.
We also considered how well these songs go over at karaoke, so if you’re planning to go with a group soon, be sure to check them out.
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Karaoke songs recommended for men with low voices and those good at low tones (161–170)
Pop VirusGen Hoshino
A track from Gen Hoshino’s fifth album, “Pop Virus,” released in December 2018.
Some of you might be thinking, “Is Gen Hoshino really known for a low voice?” The thing is, if you listen closely, you’ll notice the melodies and arrangements are crafted to make his vocal timbre sound its best.
That’s why many people don’t realize it, but if you carefully follow the melody, you’ll find the key isn’t actually that high, making it quite singable for lower-voiced men.
For those low-voice guys lamenting, “All recent songs are too high and there’s nothing I can sing!!”, this might be the perfect pick.
All Waiting For MeRYKEYDADDY.X
The other day, RYKEY finally got back out into the free world.
He’s changed his artist name to RYKEYDADDY.
X and dropped several new tracks in a short span.
The standout that’s drawing the most attention is All Waiting For Me.
It’s a talk-style rap that’s direct yet lyrical, showcasing his rugged, deep-toned voice throughout.
The hook is built in a low register as well, so it’s highly recommended for those with low, raspy voices.
Recommended karaoke songs for men with low voices and those good at bass (171–180)
Don't cry, Glory Moon.Kazuyoshi Saito
Singer-songwriter Kazuyoshi Saito has been active for many years, and he continues to release new songs without changing his style.
His latest track is “Naku na Glory Moon.” Although it’s crafted as a refreshing rock piece, its vocal range is quite narrow and is largely centered in the mid-to-low register throughout.
If you slightly lower the pitch and aim for a fuller tone at the start of each section, you can emphasize the depth and richness of your voice.
Give it a try as a reference.
AM11:00HY
A track from HY’s April 2003 album “Street Story,” it’s a regular at the top of karaoke and ringtone charts.
HY often features a kind of male–female twin lead vocal setup, so many of their songs are written to be easy to sing in either a male or female key.
In “AM11:00,” the male part doesn’t demand ultra-high notes, making it approachable even for lower-voiced men.
That might be one of the secrets behind its consistent karaoke ranking.
The rap section in the middle can be a bit challenging, but try it with a good sense of rhythm and groove, and give it a shot.
heartbeatMasaharu Fukuyama
This track from Masaharu Fukuyama’s 12th original album, AKIRA, was released early as a digital single on November 9, 2020, ahead of the album.
Fukuyama is well known for his captivating low-register vocals, and that appeal is fully present in this song too.
He delivers a very alluring low tone, with a distinctive, slightly spoken style in sections like the A-melody that adds to its charm.
However, the song also uses a gentle falsetto in the higher parts, which may pose a challenge for some when singing it at karaoke.
Still, to truly master this piece, both a solid low voice and soft, falsetto-driven highs are essential.
Be sure to practice switching between registers before giving it a try!
The One and Only Flower in the WorldSMAP
It’s no exaggeration to say this is an ultra-famous song that every Japanese person knows.
The key is on the lower side and the vocal range is quite narrow, so I think it’s easy for anyone to sing.
SMAP has many other easy-to-sing songs as well, so I can recommend them to karaoke beginners.
Let’s trade kisses instead of talking about love.WANDS
It was released in 1993 as WANDS’ fifth single.
The song was used in a commercial for Boutique JOY, with lyrics written by vocalist Sho Uesugi and music composed by Tetsuro Oda.
It became a major hit and is the only WANDS single to have topped the Oricon chart for four consecutive weeks.