Karaoke songs recommended for men with low voices or who are good at singing in a low register
In recent years, Japan’s music scene has seen an increase in songs with lots of high notes, influenced by K-pop.
As a result, it’s become harder for men with lower voices to find songs that suit them.
So! We’ve selected recommended tracks specifically for men with deep voices.
We also considered how well these songs go over at karaoke, so if you’re planning to go with a group soon, be sure to check them out.
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Recommended karaoke songs for men with low voices and those good at singing in lower registers (111–120)
MessageMasaharu Fukuyama
This is Masaharu Fukuyama’s 11th single, released on October 2, 1995.
When it comes to Masaharu Fukuyama, few would disagree that his rich low register is one of his greatest attractions as a singer.
This song is crafted to let you fully enjoy that deep voice, making it an ideal choice for karaoke if you’re confident in your lower range.
However, if you mumble in the low notes, the appeal of your voice won’t come through, so don’t forget to sing with solid low-register support and clear articulation.
Also, in the chorus, where the melody rises a bit, try placing the resonance toward your upper palate.
This will create a sharper contrast with the other sections and make the performance sound even better—give it a try when you sing.
Recommended karaoke songs for men with low voices or who are good at singing in a low register (121–130)
VertigoMAN WITH A MISSION
Among men with low voices, some may want to make the most of that depth by singing songs with a loud, punchy sound.
For them, I recommend Vertigo.
It’s a new track by MAN WITH A MISSION, crafted with a raw, aggressive vibe where intense guitar riffs and scratches roar throughout.
In contrast to the rough instrumentation, the vocal line has a narrow range and few long sustained notes, making it especially easy to sing for those with a husky, low voice.
KICK BACKKenshi Yonezu
It’s Kenshi Yonezu’s 13th single, released in November 2022.
It was written as the opening theme for the TV anime Chainsaw Man.
Over an up-tempo, hard-hitting backing track, you can enjoy Yonezu’s powerful, resonant lower register.
In that sense, it’s a song where men with lower voices can really showcase their vocal appeal.
However, he deliberately puts considerable strain on his throat and sings with a slightly distorted tone, so be careful not to over-imitate and damage your voice.
In the middle section, where it shifts to a somewhat classical style and is sung in a ringing, expansive manner, try placing the sound against your upper palate inside your mouth—you should be able to recreate that sonorous quality.
Give it a try.
BoyhoodYosui Inoue
This is Yosui Inoue’s 29th single in total, released on September 21, 1990.
When it comes to Yosui Inoue’s singing voice, his very clear high notes are extremely appealing and memorable, so few people may think of him as a “low-voice singer.” However, precisely because he has a rich, resonant low register that contrasts with his high parts, I believe it enhances and showcases the beauty of those higher tones even more from a production standpoint.
If you choose this song for karaoke, be sure to focus on vocalization that makes solid use of chest and oral cavity resonance for the low parts.
For that, the “Hollywood-style vocal technique” I recommend is one of the optimal solutions!
Rin-neWhen love ends
Rin-ne is a chill-rap artist popular among young people.
Rather than hard, backbone-heavy hip-hop, he raps in a style that’s essentially the same as mainstream J-pop, which makes his songs especially appealing to women.
Among his tracks, the one I particularly recommend is “Koi ga Owareba” (“When Love Ends”).
It’s not a low-register song, but because the vocal range is very narrow, it’s easy to boldly drop the key.
If you sing it with a slightly whispery tone, you can showcase your low notes in a modern, clean style—definitely give it a try.
scabHidenori Chiwata
It’s the theme song for the TV anime Zatch Bell! and has become a karaoke staple.
The chorus stays at a fairly high key throughout, so it might be tough at first.
With message-heavy lyrics and an up-tempo feel, it’s a song that really gets everyone fired up.
Ballad of a SingerKazuyoshi Saito
This was Kazuyoshi Saito’s 15th single, released on November 21, 1997.
It’s one of his signature songs and has been covered by many singers.
It was also used as the ending theme for TBS’s “COUNT DOWN TV.” It’s a slow ballad that sings of a very simple, earnest male heart, and Saito’s vocals—masculine and, in a good way, a bit rough around the edges—add color to it.
It’s the kind of song that would be a perfect fit for a man with a rich, low, rugged voice.
In terms of pitch, there are parts like the chorus that require fairly high notes, but I think it can be an intentional choice not to lower the key and instead let those “almost-breaking high notes” carry the performance.
Go show them a song that a clean-voiced, high-tenor type couldn’t pull off!