Karaoke songs recommended for men with low voices or who are good at singing in a low register
In recent years, Japan’s music scene has seen an increase in songs with lots of high notes, influenced by K-pop.
As a result, it’s become harder for men with lower voices to find songs that suit them.
So! We’ve selected recommended tracks specifically for men with deep voices.
We also considered how well these songs go over at karaoke, so if you’re planning to go with a group soon, be sure to check them out.
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Karaoke songs recommended for men with low voices or who are good at singing in a low range (201–210)
milk teaMasaharu Fukuyama
It’s Masaharu Fukuyama’s 21st single in total, released on May 24, 2006.
Fukuyama is known for his moving vocals rich in low overtones, and this song is no exception—his voice shines in this acoustic slow ballad.
For a voice like his, an acoustic arrangement might be one of the best fits.
Now, if you’re singing this song at karaoke, there aren’t any particularly high notes throughout, so for those with lower voices, please sing gently and tenderly, as if whispering, with heartfelt emotion.
Your voice’s charm will surely come through to your friends!
Romantic FlightKome Kome Club
Released in April 1990, this is Kome Kome Club’s 10th single.
The song’s vocalist, Carl Smoky Ishii, has a captivatingly rich low register, making this an ideal karaoke pick for men with naturally low voices or those confident in their bass range.
While you might relax knowing there aren’t any extreme high notes, be aware that some “moderately high” notes appear in the latter half of the chorus.
If that’s tough, try lowering the key.
It’s a song that really lets you showcase the charm of your low voice to the fullest!
Come Be My Bride 2015Yuzo Kayama feat. PUNPEE
This is a revival hit that boldly features Yuzo Kayama’s “Oyome ni Oide” and even ended up becoming a full-on collaboration.
Since the track is mainly rap, as long as you can keep the rhythm, it’s easy to sing even if you have a low natural voice.
You don’t often see people sing it at karaoke, but depending on the situation, it can really hit the spot.
How about it for karaoke at a wedding after-party or later gatherings?
The Tale of Three CapitalsShinji Tanimura
This is Shinji Tanimura’s 28th single, released in June 1992.
It was created as the image song for JR West’s tourism promotion campaign “Santo Monogatari,” which encouraged travel to Kyoto, Osaka, and Kobe.
The song has a refined, mature mood throughout, resulting in a gently emotive piece.
The vocal melody doesn’t require a particularly wide range, and especially in the A–B sections, a resonant low voice is important.
I think this makes it a great opportunity for lower-voiced men to showcase the appeal of their tone.
Practice to create a clear contrast with the chorus, where the range rises slightly.
In the A–B sections, try to place the sound toward the lower jaw inside your mouth and resonate firmly in the chest cavity; in the chorus, aim your voice toward the area behind the upper molars.
This should help you achieve that contrast, so please give it a try.
Future is YoursSambomaster
This is Sambomaster’s 23rd single, released in August 2023.
It was selected as the theme song for the animated film “New Dimension! Crayon Shin-chan THE MOVIE: Super-Powered Showdown — Fly, Fly, Hand-Rolled Sushi.” It’s a straightforward rock song that’s quintessentially Sambomaster—just listening to it puts you in a great mood! You don’t need any complicated pointers to sing this at karaoke! Just have a blast with the sheer act of singing and letting your voice out.
It’s not a track that showcases a low ‘ikebo’ voice, but there aren’t any extreme high notes either, so even those who struggle with high registers can still sing and enjoy it.
If you try aiming your voice toward your upper palate as you sing, your mid-to-high notes should gain more resonance and presence—give it a shot if you like.
damnFujii Kaze
Singer-songwriter Fujii Kaze, who has also performed on the NHK New Year’s Eve music program Kōhaku Uta Gassen.
Fujii Kaze gives the impression of having a slightly lower, fuller voice, and his singing— which can feel emotionally restrained— is part of his appeal.
It’s not a forceful low register; rather, by skillfully using a breathy tone, he emphasizes a sense of ease and a sensual atmosphere.
In this song he sings, the bass resonates strongly, which makes that sensual vocal quality especially palpable.
The relaxed phrasing also contributes to a confident, mature presence.
Crossed Wires of Pure InnocenceT-BOLAN
It was released in 1993 as T-BOLAN’s eighth single.
The song was used as the image song for AXIA (Fujifilm Imaging Co.
, Ltd.
), with lyrics by Arashi Moritomo and music by Tetsuro Oda.
It reached No.
2 on the Oricon Weekly Singles Chart, and at the time of its release the band was popular enough to have two songs simultaneously enter the chart’s top 10.