A must-see for low-voiced women! Popular songs that are easy to sing at karaoke

Souls feat. suis from YorushikaWurtS

WurtS – Souls feat. suis from Yorushika (Music Video)

WurtS is a multi-artist who not only writes and composes his own songs but also handles self-produced projects like video production.

Known for lighting up the scene with high-sense tracks every time, WurtS has drawn attention this time by collaborating with suis, the vocalist of Yorushika.

The result is “Souls feat.

suis from Yorushika.” Although it’s a male–female duet, it doesn’t have the typical difficulties of duets; the overall range sits in the low to mid register, so even women who struggle with high notes can sing it comfortably.

Be sure to add it to your repertoire.

Between the Sky and YouMiyuki Nakajima

Between the Sky and You

This is Miyuki Nakajima’s 31st single, released in May 1994.

It was chosen as the theme song for the hit drama “Homeless Child” starring Yumi Adachi and became a million seller.

Since it’s a Miyuki Nakajima song characterized by her slightly breathy voice, the vocal melody doesn’t require extremely high notes, so I think most women can sing it without changing the key.

If anything, focus on practicing the lower-pitched sections—like the A melody—so you can use your chest voice securely rather than pushing the high notes.

For the final part of the chorus, try singing with the image of placing the voice around the back of your upper molars; it should make your voice resonate nicely.

Give it a try.

BreakUru

[Official] Uru “Break” – Ending theme of the Yomiuri TV/Nippon TV anime series “Yashahime: Princess Half-Demon”

Uru’s ninth single, and the ending theme for the TV anime Yashahime: Princess Half-Demon.

Uru is known for her soothing voice, and that charm is fully showcased in this song as well; in the A-melody sections sung in a lower range, you can enjoy a uniquely sultry vocal quality.

While the song doesn’t feature piercing high belts in chest voice, mastering it properly requires proficiency in falsetto, which is used frequently in the chorus and other parts.

That aspect may pose a slightly higher hurdle for women who struggle with high notes.

Practice switching smoothly between vocal techniques and give it a try.

Best-before date of lovetuki.

tuki. 'Best-Before Date of Love' Official Music Video

Tuki’s masterpiece “Shelf Life of Love.” This work was released as an answer song to her massive hit tune “Banquet Song.” In contrast to “Banquet Song,” it’s crafted with a cool melody and is set in a somewhat lower register throughout.

The range isn’t exactly narrow, but the low parts are genuinely low, so it should be easier for low-voiced female singers to perform.

If you want to sound even more polished, try focusing on a “whisper voice” technique—mixing in breath while singing the A and B sections.

It instantly enhances the atmosphere.

The Hottest Summer in the WorldPrincess Princess

Princess Princess 'The Hottest Summer in the World'

This is the second and eighth single by the Japanese all-female rock band Princess Princess, first released in July 1987 and re-released in July 1989.

The band’s vocalist, Kaori Okui, has a slightly husky voice that’s very appealing, and since her vocal range isn’t particularly high, not just this song but most Princess Princess tracks should be quite manageable at karaoke for women with lower voices or those who struggle with high notes.

Listening with 2021 ears, some elements do feel a bit characteristically ’80s, but the melodies are very singable.

If you’ve been hesitant to sing because of a lower voice, give it a try—you’ll likely discover how fun singing can be!

You’re My Only Shinin’ StarMiho Nakayama

You’re My Only Shinin’ Star - Miho Nakayama

It’s the 12th single by singer and actress Miho Nakayama, released in February 1988.

The song was written and composed by Toshiki Kadomatsu, who is also active as a singer, and it was used as an insert song in the drama “Mama wa Idol,” in which Nakayama starred.

Kadomatsu later released a self-cover version of the track himself, and I have a feeling he originally wrote it for his own voice and then offered it to Nakayama after completing it.

From that perspective, the melody feels like it was composed with a male vocalist in mind, making it an ideal ballad for lower-voiced female singers as well.

Kadomatsu’s self-cover might be more useful as a reference for performing the song.

If you’re interested, please look it up.

One HeartAtarashii Gakkou no Leaders

ATARASHII GAKKO! – One Heart (Official Music Video)

Recently, the idol group Atarashii Gakko! has been attracting attention from around the world.

Their music, which mixes hip-hop and kayōkyoku with the distinctive flavor of comic songs not found in typical idol acts, is striking.

Their new track is One Heart.

Compared to their other songs, it leans more heavily into the comic-song character and has a bright, upbeat feel.

The vocal range is moderately wide, but most of the song sits in the mid register, and the hook is centered in the lower range, which should fully highlight the appeal of singers with lower female voices.